Sony World Photography Awards

Sony Open_Overall

If you haven’t already entered the Sony World Photography Awards competition, you should probably think about it. Whether you’re a professional or an enthusiastic amateur, there is almost certainly a category that you can enter, and there are some pretty neat prizes on offer, too!

It’s divided into two sections: professional and open. Okay, so the pros do have a substantially larger prize fund available to them: $25,000 compared to $5,000, but if you win the open competition, you’ll be flown to the next Sony World Photography Awards ceremony and World Photography Festival in London. (I wonder if that means they’d fly me out of City Airport and into Heathrow?)

There’s a vast array of categories into which you can submit images, and a fairly awesome judging panel.

You can be any age to enter the open competition, but if you’re under 16 you will require consent from parents or guardians. Closing date is 5 January 2011.

The competition is free to enter and supports the Bill of Rights for Competitions. What are you waiting for? Lots more information is available here for the open competition and here for pros!

My Nokia Photography school

A photo of a Nokia N8... Taken with a Nokia N8! How deliciously meta.

So you guys may have been wondering what the hell I’ve been up to these last few months. Finally, the cat is out of the bag.

When Nokia was developing their new Nokia N8 phones, they decided to create the best camera phone the world has ever seen. For starters, they got Carl Zeiss to make a tasty f/2.8 lens for them, and paired it with a rather capable 12-megapixel imaging sensor. Of course, it’s a pretty solid phone all around, but Nokia asked me to take us back to photography basics: With a camera phone this good, it is back to the drawing board for people who use their phones just for occasional snaps.  

A photo of a Nokia N8... Taken with a Nokia N8! How deliciously meta.

You can read more about the Nokia Photography School, or check out the individual articles:

Taking better photos

A professional product shoot (video)

Making your mates look their best

Party photos

Nature Photography (video)

Amazing landscapes

Sharing images online

Video: Photography Inspiration

Finding free software

Kitty! Taken with a Nokia N8

Three things to edit on every photo

Video: Urban Landscapes

Controlling depth of field for better snaps

Taking a closer look

Street Photography (Video)


Adding some motion to your shots

Back-of-the-net action photos

Getting better video

The Nokia N8 has a fantastic macro mode built in.

10 tips for storytelling

Scripting a video shoot

Distributing your video art

Action Sequences (video)

Storytelling (video)

The Multimedia Reporter (video)

Editing to music

Better lighting for better videos

8 tips for better nature videos

Action sequences (video)

8 shots and how to use them

Better dialogue

Hollywood Lighting (Video)


Do you enjoy a smattering of random photography links? Well, squire, I welcome thee to join me on Twitter -

© Kamps Consulting Ltd. This article is licenced for use on Pixiq only. Please do not reproduce wholly or in part without a license. More info.

The 1,096 face collage

Everyone is Art

Have you ever wondered what Botticelli’s The Birth of Venus might look like if it were a collage composed of 1,096 images of people? Well, Samsung, together with the artist Samira Harris and photographic contributions from people affected somehow by breast cancer have created it.

It is part of Samsung’s ‘Everyone is Art’ project, which aims to bring support to people across Europe whose lives are affected by breast cancer. They picked the number 1,096 because that’s how many people are diagnosed with breast cancer every day in Europe.

The images were uploaded to Samsung’s ‘More than talk‘ project in September this year, before Harris used them to compose her collage. It was unveiled at a rather glitzy event last Thursday.

Now, I might not be able to raise massive sums of money for charity by doing it, but I wouldn’t mind having a go at creating a giant collage a bit like that.

Around the world in 80 days

photo-competition-winners

If you’re in or near London over the weekend, you must pop down to the Old Truman Brewery, just off of Brick Lane, to see Bookzilla: the largest photobook in the world. This thing is monstrous and marvellous: it measures 20 feet by almost 14 feet, which puts it at about the same size as a double decker bus, and it features the most glorious, radiant selection of photos from all over the world.

Earlier this summer Photobox launched a competition to go around the world in 80 days using pictures. Over 30,000 entries were received, and every single country was represented in an image. These 30,000 photos were narrowed down to 300, which are those that appear in Bookzilla. Of those 300, six over all winners, one image from each continent (but not Antarctica), were selected.

North America winner: A Piece of Land to Call Home, by Bob Brewer

Apart from getting to look at gorgeous pictures, I don’t envy the judging panel one bit. The photos featured portraits, landscapes, wildlife, and architecture and as Annabel Williams, one of the judging panel said, the standard was extremely high. The winners get to go on the holiday of a lifetime as their reward. Not bad at all!

Pop down and be amazed. Bookzilla’s almost three times taller than me and filled with captivating pictures. If you can’t make it, though, you can see the 300 shortlisted pictures here.

Around the World in 80 Days runs from Friday 15 to Monday 18 October 2010 at the Old Truman Brewery, Hanbury Street, London.

Taking 'shooting self portraits' to a new level.

Today, aged 88, Ria van Dijk still makes her pilgrimage to the Shooting Gallery.

In almost every picture #7 tells the story of a Dutch woman whose life is seen from the point of view of a fairground shooting gallery.

The chronological series begins in 1936, when a 16-year-old girl from Tilburg in Holland picks up a rifle and shoots at the target in a shooting gallery.

Today, aged 88, Ria van Dijk still makes her pilgrimage to the Shooting Gallery.

Every time she hits the target, it triggers the shutter of a camera.

The prize? The girl firing the gun gets a copy of the photo.

And so, a life-long love affair with the shooting gallery begins.

This series documents almost every year of the woman’s life (apart from a not-too-difficult-to-understand six-year hiatus between 1939 and 1945) up until present times.

In almost every picture #7 is a biography of one woman’s life from an unusual perspective.

The series enables us to witness the times she lived in, as well as acting as a revealing look at the changing face of photography through the decades.

If you’re interested, you can buy the book here, or take a look at a selection of the photos over on their website!

(via Uggclogs)

Photographing in the dark

The Magic Numbers, by Gareth Dutton

Photographing in the dark can seem a daunting and difficult task when encountering it for the first time, but here at Small Aperture we have a few quick pointers to help you out. Hopefully this article will, wait for it, shed some light on the subject (I’m so, so sorry). So what can we do to combat low light photography? There are, thankfully, several options available to us.

Use a larger aperture

I shot this at f/2.8 at ISO 1600 - the shutter speed needed to remain high.

One option is to work with a larger aperture. What is aperture, you ask? Well I’m shocked and appalled, quite frankly, that you haven’t already read up on our article about it. The bigger your aperture, the more light you’re going to be letting in. Of course, sometimes, you can’t afford to / don’t want to lower your aperture. Whatever shall we do? Well, you could always…

Increase your ISO

Increasing your ISO will increase your sensor’s sensitivity to light, which will help make the most of what little light you’ve got to work with. What are you talking about Gareth? What are these kooky letters you’re putting together? As always, we have it covered – nip over to our guide to ISO and then come back to me when you’re up to speed.

All done? Good. So, increasing your ISO can help you capture those precious, delicious slivers of light skulking around in the darkness. But what about all this horrid noise? It’s spotty and grainy and yucky – this won’t do at all. Well, how about we only increase the ISO a tad and look at changing some other settings?

and this one required all three - ISO 1600, aperture of f/2.8 and a shutter speed of 1/100. Take THAT, low light!

Lower your shutter speed

Lowering your shutter speed can also help your camera gather more light for when there is little to play with. Guess what? We have this one covered, too – take a look here. The longer we have the shutter open for, the more time light has to get in. Too low a shutter speed can lead to image blur, however, and unless you’re going for that look, images that aren’t sharp are, well, unsharp. Image still too dark? Well, I’m afraid that’s all your options exhausted. Bummer. Or is it…?

Get yourself a tripod

Go on, do it now. Open a new window in your browser, go to Amazon, and get it ordered. Unlike other things in your kit, a decent, sturdy tripod doesn’t really ever need to be replaced for a newer model and should still be useful for years and years to come. This means you’ll have to give it a name, of course. Mine’s called Trev. Trev the Tripod. Trev has always been there for me when I’ve needed him. The best thing about Trev is, when I need to lower my shutter speed to a duration for which I couldn’t possibly hold my camera still, I pop it on Trev and he keeps it perfectly still for the whole exposure.

Good old Trev.

You’ll mostly find a tripod useful for grabbing yourself some lovely sunset / late evening landscapes, which will afford you to work with a very small aperture AND a low ISO setting in order to get some lovely, low light landscapes.

Let’s summarise, then.

To defeat the low-light menace, try a combination of these factors:

  • Use a larger aperture
  • Increase your ISO
  • Lower your shutter speed and, if it’s too low for a sharp image…
  • …Use a tripod!

Depending on what sort of image you’re after, you’ll be using a combination of these for one image and maybe just altering a single factor for another. There is no greater teacher than experience, so get out there armed with this new-found knowledge and experiment! Seeing as it’s Friday, if your friends invite you to the pub just tell them ‘Can’t make it tonight, I’m afraid; I’m spending the evening in a field with Trev.’

Interview: Eric Cheng, underwater photographer

eric_camera_shooting_smaller

I’ve always had a huge fascination with marine life, so when I had a chance to interview a photographer that specializes in a unique genre, I immediately went after Eric Cheng, an underwater photographer based out of San Francisco. Shooting underwater since 2001, Eric is the winner of numerous awards and competitions, founder of an online community for underwater photographers, editor of a quarterly print magazine, and frequently organizes photography expeditions and workshops across the planet. He even has two degrees in computer science from Stanford and plays the cello. Talk about chick magnet. Unfortunately, the only chick he has time for these days is a 14-foot long Bahamian tiger shark named Emma.

SA: How did you get started in underwater photography?

EC: Although I have been interested in photography since high school, I was 25 years old when I discovered underwater photography. When I was 19 years old, I started a saltwater reef aquarium, which instilled a fascination within me for fish and other marine life. I became SCUBA certified not long after, but only did about 20 dives in the next six years. On a whim, I planned a dive trip to Palau—my first dive trip ever—and bought an Ikelite underwater housing for my Nikon Coolpix 990 digital camera. I was hooked – my interests in marine life and photography merged and changed my life!

SA: How much time do you spend on a boat these days? What’s a typical day in the life of an underwater photographer while on assignment?

EC: I spend about half of my time on boats. It’s funny – everyone thinks that I am “on vacation” all the time, but a typical day on assignment is long and tiring. We do between three and five dives a day, and with a surface interval between each dive, it pretty much takes up all of the hours between morning and evening. And because everyone now shoots using digital cameras, a great deal of time is spent downloading, backing up, organizing and editing. Still, it’s fun. At home, I’m constantly connected to the computers and the internet. Underwater photography takes me to some of the most remote locations on the planet; there is no internet access there, so the pace of life slows down, even with such a busy schedule.

SA: How different is underwater photography compared to another genre, such as landscape photography?

EC: In some ways, they are similar. Both genres require a connection to nature – an understanding that we are there to capture what nature might throw our way, and that it might take quite a bit of time for a particular event to happen. But underwater photographers immerse themselves into an incredibly harsh environment, one that is often filled with adrenaline and fast-moving spectacle. On a daily basis, underwater photographers deal with getting thrown around on the surface of the ocean before jumping into the same, rough ocean and being swept away by strong currents. Almost every reef animal in the ocean is venomous, and the ones that aren’t venomous are all trying to get away from us. We bring our own lighting underwater because light gets stripped away by water as it travels through it, but even with large, heavy strobes, a subject that is six feet from the camera is still too far away.

SA: What do you like the most about shooting underwater?

EC: Discovery. Despite its majority coverage on our planet, we really don’t know much about the ocean. I like that someone can do the same dive every day for years and still have a good chance of seeing something new.

SA: I’ve seen some of your shark photos. Is photographing sharks frightening or exciting, or perhaps both? Do you have any crazy shark stories?

EC: Remember how I said that nearly all of my best photos were taken within six feet of the subject? For sharks, it’s even closer. Most were taken within just a few feet.

Last week, I stuck a little GoPro helmet-cam into a shark’s mouth so I could get footage from inside. The footage looks scary, but that shark was only after the tiny bit of fish I used to entice it. If humans were a shark prey item, there would be many more than the five (average) killed each year (and in most cases, they aren’t eaten).

I do have some “crazy” shark stories. Here’s one. The most famous tiger shark in the world is named Emma. She lives in the Bahamas and is 12-14 feet long, depending on who you ask. I’ve been photographing her for nearly five years and can identify her by her markings and behavior. I’ve seen Emma get pregnant and slim down after giving birth, twice. Emma treats different individuals differently: she has favourites. Can you imagine that? She’ll come in and look for Jim, the captain of the boat, and will leave if he isn’t in the water. If he is in the water, she’ll stay, for days. Each encounter with Emma is special because it could be the last; tiger sharks are allowed to be killed in the Bahamas by recreational anglers. It would be tragic if Emma were killed, not only because of the bond we have formed with her, but because it would cost the Bahamas tens of thousands of dollars a year in lost tourism.

SA: The types of camera equipment you use in underwater photography must be completely different from most photographers’ kits. What pieces of gear are the most crucial to your line of work?

EC: All of the pieces of gear are the most crucial. Packing is an ordeal because I have hundreds of tiny little parts that have to go together in order for my gear to work properly. If even one doesn’t work, some critical feature of my camera or life-support equipment will no longer be available. Obviously, the most important ones are the o-rings, which seal the camera up to prevent water from getting inside. But other little parts allow access to the physical buttons on my camera and strobes. Also, electrical systems on boats tend to be quite primitive, so I travel with as many redundant parts as I can: spare chargers, spare batteries, spare cables, spare strobes, spare camera, etc.

Assuming all of the gear arrives undamaged, the most crucial skill is simply diving skill. Excellent buoyancy and body control in the water are absolute requirements for good underwater photography. If you’re crashing into the reef or thrashing around in place in order to stay in one place, you have little hope of capturing a great image.

SA: Underwater photography has taken you to many different ocean environments around the world. What place (or places) is the most memorable to you? Can you tell us a little about it?

EC: I get asked this question all the time, and I never have a proper answer. Each place I go has something special that I am after, and there is no way to rank them! For example, I go to Indonesia, Papua New Guinea, and the Solomon Islands for marine diversity and healthy reefs; to the Bahamas, Galapagos, Cocos, and French Polynesia for sharks; to Dominica, Ogasawara (Japan), and Tonga for whales. It’s too hard to pick one that is the most memorable.

SA: You’re editor of a couple of important resources for underwater photographers. Can you tell us about them?

EC: Wetpixel.com is the premiere online community for underwater photographers and videographers. I’ve been running this site since 2001, and it has become incredibly rewarding to be a part of the community. Many underwater photographers find themselves to be the only person in their town or city with the interest, and Wetpixel is a place where they can go to find peers.

Wetpixel Quarterly is a quarterly print magazine featuring the best in underwater photography. I call it a “magazine,” but it is really a mini-coffee table book. It is universally acclaimed by marine enthusiasts because we put in beautiful, compelling images instead of images that will sell advertising.  Unfortunately, print seems to be going away, and we are in the process of figuring out how to keep a print product without breaking the bank.

SA: It seems that a lot of underwater photographers are also quite passionate about marine conservation. How important is photography to the success of ecological conservation?

EC: I’d like to think that photography is very important to the success of marine conservation. The vast majority of people on this planet will probably never set foot in the ocean. I live in coastal California, and most of my friends here have never done more than dip their feet. People are fascinated by it—and afraid—and no one really cares about what happens to the ocean because it’s just not a part of their everyday lives. Still, many of the people who have seen my images have written to say that it has made them think about ocean differently, and that pushes me to continue to share my work. But I still see them eating shrimp, so that makes it hard for me to be optimistic in the long term.

SA: What kind of advice can you give someone that’s looking to pursue a career in underwater photography? Other than moving to the beach, of course!

EC: I don’t really have any advice for people who want to pursue underwater photography as a career. It’s nearly impossible to do, and many folks out there who are frequently published struggle to make a living at it. Startup costs are extremely high, and if you start out in a dive-related industry, you’ll probably never make enough money to buy a decent underwater photography rig.

I always recommend getting a proper education. Study something useful and practical; hopefully, something you’re also interested in. Make enough money to buy a camera, lenses, underwater housing, strobes, and accessories, and start shooting in your spare time. Publish your work: post it on the web, and to sites like Wetpixel. If you’re good, you’ll get noticed, and opportunities will come to you!

Thanks to Eric for sharing his stories and bringing us into his vast underwater world of photography! Be sure to browse through more of his photos or visit www.echeng.com to learn more about Eric and his work.

Eric’s Gear:

  • Canon 5D Mark II
  • Canon 7D
  • Nauticam underwater housing
  • Ikelite and INON strobes
  • Light & Motion underwater lights
  • BS Kinetics 3D underwater video housing
  • Tokina 10-17mm fisheye zoom
  • Canon 15mm/2.8 fisheye
  • Sigma 20mm/1.8 prime
  • Canon EF-S 60mm macro
  • Canon 100mm macro
  • Kenko 1.4x, 2.0x teleconverters
  • INON “insect eye” endoscopic lens

Who actually invented photography?

niepce

Most people think of the Daguerreotype, named after Louis Daguerre, to be the first photographic process. However, Joseph Nicephore Niépce, a French inventor, is actually known by experts to have created the first etched ‘photographs’ on plates made of pewter. And now, scientists from the Getty Conservation Institute in Los Angeles are revealing that Niépce used a previously undiscovered chemical process that consisted of baking lavender oil.

Dusan Stulik of the Getty stated that scientists are now ‘able to create a fuller picture of Niépce, how he worked, and we can really demonstrate that everything related to photography that surrounds us today – digital cameras, film, TV, even 3D and video games, go back to his inventions.’

The new analysis of Niépce’s plates are being announced at a conference in the UK at the National Media Museum this week. Current literature regards Niépce as a key pioneer in the field of photography, however the new studies clearly show that his contributions are far more valuable than previously thought, and Niépce should be regarded as the true inventor of photography.

Headsup to The Guardian

100 awesome flickr streams


Don't get cocky, now...

100 best of Flickr

My relationship with Flickr goes back a long way; all the way to late 2004, in fact. I kept going back out of curiosity, deciding it’s not for me, and then leaving again. In the meantime, I spent a lot of time on PhotoSIG (but I decided the community was a bit too hostile for my liking) and Deviant Art (awesome, but too childish on the whole), before turning back to Flickr. Again.

My cycle kept going on until 2008, when I realised the community feel of Flickr had grown strong enough to be un-ignorable. By January 2009, I had collected a lot of amazing Flickr streams; and I wanted to share my finds with you guys. 50 amazing flickr streams was born.

I don’t know about you, but January 2009 seems like a very long time ago, so I decided that perhaps it was time to revisit the concept. Of course, 50 flickr streams had already been done. What could I possibly do to top that? Why, I’m glad you asked.

Ladies and gentlefolk; in no particular order (apart from, y’know, alphabetically)…

100 Flickr streams made of pure awesome

Abhinav shoots spectacles, not the optical type but the spectacular type like the Commonwealth Games in Delhi. Look at this amazing comp of the ceremony which captures the scale of the event magnificently and, using a higher ISO I guess, Abhinav also captured this beautiful shot, rich with color. Staying with his marvellous sense of color this balcony shot has an “Arabian Nights’ quality to it and finally, who would have guessed that one could create something out of this location. Very cool stuff!

Airgartens’ Flickrstream is not as prolific as most, but it’s a very good start. There are ‘bohemian’ undertones to her style of photography, a captivating decadence. People appear to be living in a make-believe world of stage make-up and costumes. Harsh light throws dark shadows on white faces. There are people trapped in bubbles, immersed in water and seen through shiny plastic, also some great surreal set ups too. Clever use of props and lighting create a wonderfully imaginative world.

Andy gets some really different styles going in his portfolio which is really very absorbing to browse. Check out the jump from this beautifully composed shot to this leap of imagination, very cool. And here, once again a masterful comp and capture. Not shy to experiment and explore digital boundaries, this iPhone shot processed in Photoshop is yet another example of his innovative style. There are a many more, take time out to catch up on an inspirational browse.

Anrapu has a great eye with a fish-eye lens, which is not one of my favorite lenses unless used in the right situation, but Anrapu certainly puts it to good effect here. The definition he gets is outstanding and the coloring very rich, in fact the National Gallery shot is almost comic book-like. Browsing through his other pics I was particularly impressed with the clarity he achieves, this rock pool shot is a good example, quite intense.

Antonio Merini is an exceptionally talented photographer. In fact ‘photographer’ is the wrong word to use for a man with the ability to draw out such emotion and depth of feeling from what are, essentially, a lot of cold pixels. Figures appear half-formed and vague against incredibly textured backgrounds and sometimes they appear to be seen as if in a window reflection or an imperfect mirror. Tangible textures overlay his photos and combined with his dark, rich color sense, create a viewing experience that leaves you ‘touched’ in some way.

Artie Photography has an HDR series in his portfolio so I’ll select a few takes from there. The two I like most are the field and the seascape. I’ve included the plane as an example of taking HDR a little too far I think. For HDR fans he gives a breakdown of his workflow which is always worth checking out. He also has a number of OOB shots, however this style of presentation is no longer a photograph for me, it’s moved into the realm of graphic arts. All in all some very exciting work from someone who likes to shoot ‘n share.

Ashu Mittal has a sensitive feel for her subject that really comes through in her work.The festive colors of India, beautifully captured in all their exuberance, sit side by side with exquisite flower portraits in her portfolio. Shallow depth-of-field smudges color and shape into a satisfying background palette. Not only has Ashu a keen eye for color and detail, she also has a sense of the occasion with her insightful comments. Her work is a visual feast with shots that intrigue and inspire.

Atavachron has a varied collection of work on his photostream. I particularly liked his feel for landscapes and wished there had been a lot more. Note the graphic quality of his shots in these pics for example, great comp and light. I’m a sucker for great texture and Atavachron has some really cool shots like this bridge texture, boat and tree. Some of his other pieces show the trademark of someone who is not afraid to experiment.

Bizarro has an enviable talent when it comes to capturing skin-tones. This particular shot blew me away with its’ ethereal atmosphere and lighting set-up… the face has the quality of fine porcelain and the light just striking her back is masterful. His other work deserves equal praise too for different reasons. Portraits that could have easily turned out quite banal have been captured with an unusual effect/lighting to lift them from the ordinary. Way to go Bizarro!

Bluresque brings a visually different feel to photography, some of his shots remind me of the American illustrator Brad Hollands’ magnificent art. The smudged color and unfocused shapes he achieves create a sort of ‘other’ world, a world just on the edge of reality. There is a blurred line between his color and shape, they appear to become inseparable, the one becomes the other to create an air of mystery. Bluresque deconstructs the perfect world of digital photography to the point of suggestion, a sort of non HDR reality.

Brett Walker is another innovative photographer whereby the capture of the shot is only the beginning. His numerous overlays and juxtaposition of unrelated images create a fascinating if not unsettling body of work. His Meatsucker series in particular. It’s not all weird though as his talent reveals itself in some acutely observed ‘character’ shots. The depth of tone Brett manages to capture is quite extraordinary and brings new life to B/W.

Bumble-Bee has a very mixed selection of shots to her credit. There are some great location shots of abandoned building interiors/model but I have already covered a similar body of work elsewhere. I really liked the coloring and texture of this old Gazebo with its’ wintery feel, The abandoned asylum shot is stunning, everything comes together on this, even to the wet road, to portray the grimness of the location, great compo. The other pic that appealed to me was this floating figure I wish this idea had been developed further, it’s very intriguing.

Cabbit is a photographer with many sides to his work. What impressed me immediately as I flicked through his shots was the range of subject matter he handles with comparative ease. Very cool black and white pics with great tonal quality also there are some finely seen portraits and candid shots of friends and others. Out of the studio and away from controlled lighting set-ups he reveals a documentary style with a reporters eye. Short technical specs are generally given with each shot.

Cadchapela comes across as a very experienced shooter with a great mix of shots to his credit. Get this pic up and check out the tonal quality of the study… then from there jump to this sea scape, amazing. But we’re not done yet, I’ve saved the best for last, one can only admire the sheer elegance of this composition. Basically the diversity of his work and the discipline required to achieve this level shows an amazing control and understanding of the medium.

Carlotardani is a man who shoots everything… horses, people still life, kids, happy snaps you name it. He also has a Flickr portfolio packed full of images that will amaze and amuse. However Carlotardanis’ strength lies in his landscapes, they are without doubt stunningly beautiful. Apart from the logistics of finding these out-of-the-way locations and choosing your spot… waiting for the right light requires the discipline of a Jedi Knight. As a photographer you should see this, whether you’re into landscapes or not.

Cept_id, unlike many other photographers who have a distinctive ‘look’ about their work, seems to waver between photography graphics and art, not that it’s a negative observation. In fact I would like to see a whole series of this Francis Bacon type imagery with his acidic colors or the minimilist landscape feel. The “graphic” style has been explored and represented more fully in his portfolio and is very striking, a digital form of scraperboard… ( ask your grandfather what the word means ). It’s incredible what a bunch of pixels can do in the right hands.

Chenroom, I hope that’s his name, ( not brushed up on my Chinese lately ) has captured the definitive cloud shot I have seen in awhile… wonder how he got his flash heads up there? Love the blue! Chenroom is no slouch when it comes to capturing great sky shots, this one is pretty cool… day on one side and night on the other. And finally, another nicely seen comp, with a great sky need I add, is this one. Looking at Chenrooms’ profile I see he lists some great gear that he puts to good use for the rest of his portfolio.

Chloe Gauntleys’ photos have a gentle classical appearance, almost romantic ( especially the later images featured here ). Her earlier work has a harder more illustrative edge to it with an an overtly surreal approach and appears to be the foundation out of which this newer, softer style has evolved. Multi-layered images and textures play a large role in the final comp. She has a wonderfully exciting imagination and infinite patience in order to create these complex and often thought provoking images. Let Chloe take you on a magical journey.

Daphne Kotsiani‘s landscapes evoke a feeling of loneliness in me. I have seen plenty of desolate outdoor shots, however their technical brilliance generally dominates and overshadows the emotional aspect. Daphne imparts a nostalgic feel to her work… birds wheeling in the sky, a lonely horse in the mist or an old tree surrounded by water all speak to me of fragments of time, all fleetingly seen as if from the window of a passing car. I can still remember standing on an open plain and gazing up in silence at the towering clouds.

Delphine is a digital surrealist artist with a very delicate touch to her work. I have only featured a few pieces here from her main stream but take a look at her series entitled “Another World”, very absorbing. Her captures are a mix of digital manipulation and photography, almost 50/50 I would guess, but she achieves a gentle ‘story-telling’ look which is a pleasure to view. There are down-to-earth shots too in her porty, but I would say that this lady has a very impulsive creative spirit that wants to fly.

Douglas Griffin roams the highlands of Scotland taking us to places we would otherwise never see. Lonely castles silently speak of another era, while storms rage on deserted shores, unseen and unheard. It’s only this landscape photographers’ dedication to his subject matter… and others like him, that reveal these remote locations to us. Read the descriptions that accompany each shot and you soon realise Douglas had to plan ahead to get the best light. Great stuff McDouglas!

Duarja is an artist, there is no question about it and one look at this shot will convince you of that. He captures an unbelievable texture of nostalgia in his work, almost timeless. One can almost feel the silence in this shot of a simple washing machine or hear the wind whispering on the wind bent grass in this beautifully composed landscape. And once again the style of the “dutch masters” springs to mind. Duarja has created a very unique “old world” style of capturing images in todays digital world.

Dubonnet is definitely a “flower child”, maybe not in the ‘sixties’ sense but photographically speaking. I liked his straightforward approach to capturing these delicate forms. Obviously aperture is crucial with plants that are sometimes only 1 inch across and finding the most satisfying composition amongst a profusion of shapes is no mean feat. I particularly liked the compo and tonal qualities on this one. If botany is your passion then check out his ‘Lensbaby’ set, there are some nice creative captures.

Ele Noir‘s quirky sense of cut and paste photography appeals to me immensely. For her it’s not a case of seeing photography as an art, it’s more like seeing art as photography. Her graphic approach has a naive/Warhol feel about it, however Ele is no novice, underlying these seemingly thrown together images is a very strong sense of design and conceptual thinking, the camera merely becomes a brush to convey the paint to the canvas. Fresh and original.

Entelepentele is essentially a portrait photographer – strikingly seen faces are a feature of her Flickr stream. Gently mixing image-manipulation with some of her work brings an introspective quality to the piece, another aspect I liked was the color/tonal variations she has running over certain portraits, very innovative processing! This cheeky capture is almost Flemish in style with her bobbed hair and rouged cheeks, but for many of the other images moody lighting brings a beautiful brooding atmosphere to her portfolio. Her work is a sort of back-to-basics approach… very nice.

Federico Bebbers’ portrait portfolio, using the standard head and shoulders framing, captures an incredible range of facial expressions and emotions with minimal props and effective lighting. Fragmented faces, bandaged faces, contorted, sad, wistful… all stare out at you from their digital prison. Portraiture is a genre not seen that often and Bebber really explores it in depth with competent image manipulation and varied styling. Sometimes it’s like looking into a mirror, there are days when you feel exactly like this.

Fesign is a multi-award winning photographer, National Geographic 2008 and Press Photo 2008 amongst others. His work is exceptional even though image manipulation does play a part in the final result, in his own words… “To me, photography is all about the final image, regardless of the journey, whether it is through a traditional medium or image manipulation. To capture the perfect shot, there should be ‘no limitations’ on one’s creativity”. And yes, creativity should have no bounds so enjoy the journey and the destination.

Fifi Patchouli is a photographer/model in that she shoots herself a lot, though not in the foot. She explores a wide cross-section of photographic styles and seems to enjoy just inventing scenarios. I love her self portaits and off-hand approach to her work, underlying this approach however is a serious side, as many of her pics are artistic accomplishments and could have easily fallen into the ‘happy-snaps’ category. Her work has been published in magazines and she is widely followed on Flickr.

Fr Antune takes us on a mountain hike in this series of shots. We’ve had cityscapes, landscapes and now you can check out some cool mountainscapes. Antune is clearly no armchair photographer, he gets out there with the wild mountain thyme and captures some very rewarding views. His work is very “clean’ with no evidence of ‘over processing’ that can sometimes take precedence over the natural beauty of the subject. A lofty view of the world that not many get to see, you can see it here, like me, from your armchair.

Greg Easton is a lensman who knows how to set a mood – rich colours leap out at you from moody backgrounds, industrial settings set the scene for great lighting set ups. And check this out… Greg also shares some great advice from time to time with mini-tutorials on how he adds a “look” or “weathering” effect to his pics. Not shy to hide his talents or advice Greg sure knows how to make color work to his advantage. Cool dude.

Heather Smith‘s imagery is reminiscent of the Romantic Period in art. Her love for photography stems from “that certain slant of light”, or a melody that evokes a visual response. Her philosophy is to tell stories with her pictures, stories that come from life, like recently discovered old postcards, their images frozen in time. A much-loved project of hers is the “My Beatles” series of which the Lady Madonna shot is the latest addition at the time of writing. Her Flickr stream should definitely be bookmarked and browsed at leisure.

IHP has a set in Flickr called “Depopulated Landscapes” which is essentially shooting architectural detail. The architects vision is generally seen as a ‘whole’ on completion, however IHP believes that there is a certain graphical beauty in many architectural settings that surround us and he sets out to explore this. Its a revealing and rewarding exploration as he captures some exquisitely beautiful shapes and colors on the journey. We often hurry in and out of buildings taking them for granted, IHPs’ creativity makes us stop and see them with a more appreciative eye.

Irma Haselbergers’ images reach back into the past with their monochromatic tones and two-dimensional rendering of light and dark shapes. Understanding B/W photography is essential to the art of photography, as concepts of shadow detail, contrast, tonal range and highlights are best understood by studying black and white images. In this Irma has excelled, for example, in this shot color would actually detract from the cold, overpowering ‘greyness’ of the day. Her shots carry the feeling of real life about them, unlike the shallowness of glossy color magazines.

Jamie Heiden is an artist with a camera, in that her work appears more as ‘painted‘ art than photography. Her series of mid-west barns will amaze you. Using freely available textures, the original photo is overlayed with them in Photoshop, then using blend commands to the point of deconstructing or redefining the original photograph another effect is achieved. An exceedingly innovative technique, pioneered by Jewell, texturing and custom brushes bring a wonderfully naive look to the photo.

Jayphotoworks‘ stream has a pretty interesting addition that I’ve not seen elsewhere. Check out this shot first, nice capture… and the birds are a great touch. Now browse to this shot. This is the unretouched/out of the camera pic with Jays’ explanation as to how he arrived at the final image in the form of a mini Photoshop tutorial – very cool. One more thing… mood he created with this series and would have liked to see more. Nice!

Jeff Gaydash is a photographer who loves to shoot digitally and experiment with different post-processing techniques. An example of his vision is seen in this shot where he attempts to age his Piezo prints and replicate that look in the digital file as well. Sometimes I feel that digital photography can be too intense in appearance and deconstructing this cleanliness can achieve a very satisfying end result. Jeffs’ Flickrstream contains some very well observed subjects, he has a good eye for composition and, combined with a strong graphic sense, has achieved a portfolio well worth a visit.

Johnny loves a sunset and his Flickr stream has some stunners. A number of his shots have made the ‘Explore’ page on Flickr so take time out to explore for yourself. His landscapes are generally dawn or sunset takes and are ablaze with color, on some pics he makes mention of using Lee Filters but unfortunately doesn’t expand on his experience, this sort of info always helps the aspiring photographer. Landscapes take up a large percentage of his portfolio which includes HDR and manually blended shots, well worth a viewing.

Jone Reeds’ grunge style of fashion photography is incredibly striking with it’s Warhol type silkscreen/solarised color effect. Two shots in particular caught me immediately… this one with its’ electrifying colors shimmering in the light as if on a soap bubble in the sun, and the bathroom comp with it’s exceptional coloring and texture. Magnificent. The bulk of her portfolio is a mix of varying styles and subject matter, all worth a look just for the sheer diversity.

Kakhabad is a young Japanese female photographer with a very refined and delicate approach to her work that only the Japanese seem to master. Beautifully styled subjects and low key lighting impart a serene atmosphere to these fashion shots. However the Japanese flair for intricate detail is beautifully captured in this delicate pic. Her work appears to be mainly fashion based but there are some very nice landscapes and a fair amount of surrealism. East meets West on Flickr and it is a refreshing experience to say the least.

Kantryla tackles architecture with a dedication one can only admire. If you read the accompanying text to some of these extremely elegant shots you’ll realise he stayed the distance waiting for the right light, or the clouds to break, or tried again and again shooting the same building to get exactly what he wanted. When I visited her flickr site he was on holiday and no wonder. Kantryla has created an ethereal world out of steel and glass.

Karto Gimeno takes the ordinary and turns it into the extraordinary. Looking through his work is like emptying a childs box of toys, all manner of objects spill out… broken dolls, stones, faded pictures, drawings, the list goes on. Assembling them into highly imaginative compositions Karto creates a fascinating series of still life, sometimes overlaying them with childlike drawings. Could he be the recurring figure of a little boy doll with striped shirt we see in many pictures? He also captures landscapes with an equally creative approach. Note Fellinis’ red ball in this.

Kevin McNeal, a nature photographer based in Washington State, has a philosophical approach to his work which he tries to impart to the viewer. Nature has fleeting moods, he says, and is never the same twice, by attempting to capture these ephemeral states and share them he hopes to make people more aware of our fragile planet that most of us take for granted. Well his shots have got me convinced, thick rich color permeates his work creating some eye popping contrasts and visual treats. One of the best I would say

Kevmex68 is a digital artist in the romantic style. Beautiful old world images float in shades of pastel colors on misty landscapes, almost ethereal. These images are conjured up from archival shots originally taken by Kevmex, then, using self-taught techniques in Photoshop he recomposes the scene with layering, opacity masks and selective lighting. No HDR is involved. For all aspiring landscape photographers I would urge you to browse this unique series of images. Full color prints are on offer from Kevmex so what are you waiting for!

Lomokev is a real ‘freewheelin’ shooter, his flickr stream abounds with a cross-section of shots that intrigue and amaze. Lomokev is actually Kevin Meredith, Photographer, Teacher and Author. He is the originator of the ‘Street Style Montage Portraits’ with his almost irreverent style of photography… it’s more like a streetwise photoblog style. Nevertheless there’s some excellent work here. Look at the life he brings to this in what is essentially a simple shot. Lomokev appears to be a very busy man attending phoot camp, giving talks at Google and holding exhibitions.

Lucimas’ bodyscapes ( as opposed to land/urbanscapes ) are a welcome find as not many photographers exhibit or even shoot highclass fashion. Studio fashion shots are entirely dependant on the lighting skills of the individual, unlike outdoor photography where one is subject to the whims of nature, and Lucima is obviously very skilled in his craft. The skin tones on his B/W captures are as smooth as silk with sculptural tonal qualities. Imaginative poses and equally beautiful color shots make this a visually exciting viewing opportunity.

Luis Chacon captures people beautifully. There is a Cartier-Bresson like quality to his shots, a sort of ‘decisive moment‘ approach. His Flickr stream consists mainly of B/W, some very tasteful duo-tone and color portraits. The color work is beautifully seen and I was very taken by this shot, for me it is the embodiment of all that is Spanish… the red against the dark ground, the styling, etc. Even the composition is classic, just look at the relationship of the door frame to the subject, how it contains and holds your eye on the figure, masterful!

Manlio_k has a sort of retro/fifties airbrush look with a lingering feel of old postcards and slightly washed-out color about his work, ( if you know what I mean ) which looks really cool. It never ceases to amaze me how different photographers manage to draw out of a landscape a completely different interpretation to the next guy, and Manlio’s captures are exceedingly different. There’s a painterly quality about them that’s hard to define, in the ‘hayfield’ pic I kept looking for brush strokes! It’s true. Check it out.

Marc Benslahdine creates landscapes you can breathe in. With his stunning evening shot entitled “When The Lake Catches Fire”, you get the sense and stillness of the dying day etched in superb tonal values. Mood is essential in landscape capture and a good photographer can make even a bare stretch of water come alive. Marc definitely has this ability, plus a sense of timing to be at the right place at the right time. His work is like a breath of fresh air!

Marta has a magical or mythical quality to her work, she conjures up wonderfully imaginative fantasy scenes, almost dreamlike. I studied the more complex shots trying to figure out how one would approach these set-ups, as everything just falls into place beautifully, the look, the light, the angle ….very cool. Included in her Flickr work are “Mosaic” sets which appear to be experimental, however they certainly don’t have the elegance or conceptual ability she is so obviously capable of. Check it out for yourself.

Mattijn is truly a master of his digital craft. I spent ages poring over these shots, completely absorbed by the detail, the lighting, the concepts and the creative wizardry employed here. Clearly Photoshop has a part to play but the conceptual work is not the work of a computer, it is the sheer artistry and genius of Mattijn. Whether you like fantasy or not you will browse through this mans entire work. Some set ups may work better than others, but the one thing they all have in common is Mattjins’ magic touch.

Matt Toynbee is almost in a class of his own, his mono and split tone work is absolutely superb. The sheer graphic quality of this pier is nothing short of amazing, shot with the famed Canon EF 80-200mm f/2.8L Magic Drainpipe. But what really caught my eye is the silky smooth water and steel grey tones of the sky. it doesn’t get much better. Matts’ capture of Kingsgate Castle is masterful in his choice of POV and as for the cloud formation he must have friends in high places. Excellent.

Meghimegs’ compositions and unbelieveable colors have got to be seen to be believed. The human eye contains three types of color receptors, each receptor responds to a different wavelegth of the color spectrum, Meghimegs’ work exceeds these bounds. As you browse through his portfolio the colors leap out and assault your cone cells. Shadow areas fall into dense black which further enhances the extreme color feel. Not all his work is captured in this fashion however, so it’s safe to venture forth and leave your sunglasses at home.

Mendis takes photography to another level… the insect level. As we all know photography is a passion, however, specialised photography is that and more. It is a love for your subject matter and infinite patience which will reward you with a shot like this. Technically, this type of photography requires pin sharp focus ( check out the depth-of-field on this, awesome ), spotless lenses, rock steady mounts and split-second timing. Unlike a studio shoot, you are working in an unpredictable environment. Nature calls and Mendis answers.

Michael Greene‘s landscapes really make me want to get out there and do outdoor photography for myself. The clarity and coloring of his shots imparts a sense of the smell of dust and Desert Lavender and the crunch of your boots on the gravel. What I always find fascinating are the descriptions these outdoor guys give on how far they go to get a particular shot, not easy. However, breathtaking views and beautiful colors are clearly Michaels’ well deserved reward.

Midnight-digital‘s shots are a futuristic blast. Sci-fi does not appeal to everyone but if you love innovative photography and give credit to visionary set-ups and ideas, then take a look at the shots I’ve posted here. This post-apocalypse shot is nothing short of art with its’ Magriitte-type bowler hatted figure. Stunning comp. Midnight-digital is also a published photographer whos’ work has appeared in magazines and on CD covers. For the second time this year he won the 1st prize ( B&W category ) in the french photo magazine “Réponses Photo”.

Miguel CDs’ landscapes are like plunging into a refreshing mountain stream. Vivid primary colors etch abstract shapes onto a distant hill. A lonely church sits in a field of brilliant yellow, reminiscent of Van Gogh and the Eilean Donan castle at dawn is a classic landscape capture. These and many other images are part of an impressive portfolio of work by Miguel. Follow him on his journey through the stunning beauty of Scotland its a trip you don’t want to miss.

Miss Loisy has a very entertaining and extremely colorful Flickr stream. Not shy to clash colors as loudly as possible she brings a very fresh, exuberant and noisy look to photography. Her series of ‘Fight Girls’ is a little rough for me, but painfully interesting. Miss Loisy also likes to startle and amuse, I love the colors on this take. As always there is a serious photographer hiding behind all the dayglo colors and her talent shines the brightest of all.

Mistybliss is the mother of six children so what better subject matter to use than your kids! There are absolutely gorgeous portraits of her children to be found on Flickr. Using a Canon EOS 5D Mark II and an EOS 40D Mistybliss demonstrates a natural feel for portraiture. Check out how a well-used lens flare can add something to a quite ordinary shot, great! But it’s not all kids and family, Mistybliss puts her stamp of creativity on the inanimate too, proving that true talent will out.

Mr Flibble is a really serious photographer that you can only laugh at. A crazy sense of humour and great conceptual thinking combine with a very competent shooter to create a fresh body of work. Mr Flibble is no slouch when it comes to Photoshop either, in fact many of his shots rely on it which in no way detracts from his photographic savvy. Jokes aside though, Flibbles’ serious side goes unsung because while were chuckling at his humour were not taking in the great lighting set-ups he achieves or the detail in the styling… serious stuff!

MutantRock has a heavy metal style of photography that comes at you loud and clear. Here’s a photographer that doesn’t pull any punches, check out his great gritty black and white pics shot live, no posing here, you either get the shot or you don’t. Equally impressive are the color photos, and you can almost smell the leather in this one. But don’t think it’s all just hard rock, there is a softer side to this artist… architecture and portraits, would you believe! Great shot.

Nasa is obviously not strictly “a photographer” in the true sense of the word but certainly deserves a mention in the annals of photography. A lot of the shots are clinically observed, more “for the record’ than artistic merit, yet who can deny the beauty of colliding galaxies, the breathtaking views of Earth ( to go boldly where no landscape photographer has ever been ) a cannibal star or the sun in all its’ majestic power. Technology has changed the face of photography forever. Once we were amazed at the attempts of Joseph Nicéphore Niépce, now we capture light from billions of years ago.

Night photographer as his name implies shoots a lot at night. Great stuff here with time delays, tilt-shift and loads of experimenting. The man has a fetish for phone boxes and produces some stunning versions with very funky lighting set-ups. Also check out his skateboarding light painting series ( yes, all done at night ) for some amazing effects. Night photographers’ talent however doesn’t only shine at night, his Flickr stream has daylight portraits and conventional set-ups too – all competently handled.

Nikkidelmont as photographer and model, takes mainly figurative shots of herself and others. The female form as a work of art and on public display has been an ongoing debate since Adam and Eve but I must agree with Edmund Burke ( 1757 ), who sees the female form as “potential perfection”. Well, Nikkis’ photos would certainly please Edmund, as she certainly achieves perfection in her outstanding series of beautiful self-portraits with skin-tones smooth as silk and striking poses. When you’ve got it, you’ve got it. And she’s got it!

Olivier Burnside has a great many shots on his Flickr site that show how incredibly versatile he is. Check out the ambiance and comp in this street scene ( I love the way the light blows out at street level and how the buildings go dark at the top ) and the minimalist approach in this shot. He has a superb graphic sense of composing and draws something exceptional out of even the simplest of set ups. Simple but effective photography.

Paul C Stokes is another landscape photographer, but not just any old landscape shooter, this boy has really got some serious captures. What impressed me the most is the purity of the light and air. The compositions are very clean and the angle and depth of field are extremely well considered. Browse to the shots you like and you’ll find Paul has taken the time to share his set-ups with you, plus a little bit of history. They say ‘composition’, the ‘quality of light’ and ‘exposure’ are the defining keys to great landscapes… well, whoever ‘they’ are must have just seen Pauls porty!

Paul Grand does some very classy still-life … and I thought the world is moving so fast, no-one would have time for still-life anymore. Well, here’s Paul. One of my favorites is this shot, I love the use of space as it’s always a temptation with still-life to get in close for the textures. Space, like silence, can say more. With his landscapes Paul works in the old ‘pictorialist’ fashion utilising Flypaper textures in many of his shots, probably as a reaction against the perfect digital imagery that proliferates today. Grand work Paul!

Peterspencer49 is a sea/landscape photographer with exceptional ability. This shot of Kimmeridge is one of my favorites, he achieves an almost oily/liquid feel to the water and rocks in the foreground. It’s a great comp with beautiful colors. Here’s another masterpiece, the elegance of this shot can only be admired, awesome. Moving away from seascapes check out this take of a location in Dorset, the camera is set up on the faint tyre tracks in the grass leading your eye further in. Might sound obvious, but how many take time to recce the area for the best angle, especially when under pressure. A true pro.

petiteChose‘s surreal portfolio is definitely worth a lengthy browse. It’s virtually impossible to discuss the shots in conventional photographic terms however as they begin to transcend photography, which is not a problem for me as I love a visual feast. PetiteChose has a wonderfully unfettered imagination, a great eye for color, composition. texture, and has loads of talent.

Photomas’ journey to Nepal was not only a photographic journey of discovery but also one of ‘discovery of the self’. Her sensitively seen portarits of this mountainous country are incredibly revealing. In photos of the older people a timeworn past stares back at you, most strikingly captured in this shot. Children stare wide-eyed with all the innocence of youth and older men look inward with all the wisdom of their years. Browse her Flickrstream and take this journey yourself.

PhotosEcosse captures moody landscapes and to understand the conditions relating to this particular set featured here, in her own words… “A set to illustrate the qualities of Northern Light, as experienced in the far North West of the Scottish Highlands. Not easy terrain to negotiate, and the fleeting light can last but seconds. You have to be fast to capture it, it can be a challenge, but a rewarding one.” Fleeting light and difficult terrain are just a few of the challenges that every good outdoor photographer deals with but only the great ones overcome.

PhotoSenseDatum shoots elephants in India beautifully, photographically speaking that is. She is concerned with human/animal rights, the preservation of the Earth and is a member of many photographic groups. These worthy sentiments are expressed in her diverse portfolio as she captures street scenes in India or the wind-swept plains of Mongolia. Her journey takes us to other countries like India, Africa, Portugal, Greece, China and many more… the pics are generally ‘out of camera’ images with minimal photo-manipulation. PhotoSenseDatum is a very busy and creative soul who uses her talent to enlighten and amaze.

PrairieEyes wanders the back roads of historic Alberta searching for small towns that time has forgotten. And find them he does, boarded up and overgrown but still standing as a reminder to modern day wanderers of their heritage. PrairieEyes captures these wooden structures with a feeling of affection, and to enhance the historic aspect he ‘ages’ his takes with textures. The old barns and silos are reminiscent of Andrew Wyeths’ paintings in particular ‘Weather Side’ and ‘Christinas World‘. Browsing his portfolio is like taking the back roads.

Rastaschas has some very excellent black and white shots to his credit. The grain/contrast in this genre always seems to bring a ‘lonely’ element to the work, in that the high contrast values appear to alienate the subject from his surroundings… color fills in the gaps. Because it’s pretty easy for B/W to look flat, Rastaschas has chosen contrasting light and strong graphic shapes with isolated figures critically positioned to lift the pic. Check how the light in this shot points down the stairs to the foreground figure. Great vision!

Rebecca Parker in another era would have been a painter maybe Vermeer or a Rembrandt with her classical style of photography. Some of her formal studies have a medieval quality about them… their deep shadows and single source window light remind me of Vermeers’ “Girl With A Pearl Earring”. Exterior shots are handled with the same ‘feel’ and attention to detail. This girl one could imagine bumping into at the local country fair on the arm of a Morris Dancer. Beautiful work my fair lady.

Red Mouse portrays the ‘ordinary’ in a unique and individual way. Scenes the average photographer would walk past, while searching for that perfect sunset, Mouse turns into art. He has a natural eye for abstraction and uses the visual language of line, form and color to create compositions which exist independently from visual references of the world. Abstraction indicates a departure from reality, yet when we see these images we say… Hey! I can do that… well Red Mouse has done it, he has turned garbage bags into art.

Robbie Swans’ photography stream is a laugh… not technically that is. Swans’ brand of humour mixed with his excellent work makes it a worthwhile browse. With this shot, taken with an iPhone, he captures a beautiful box Brownie 127 feel ( complete with light leak ) … you’ve got to see it. His other amazing captures using conventional gear, are at the other end of the scale in terms of lighting and tonal values. For example there is no HDR on this magnificent comp, just pure talent and the same goes for this. Go on, have a laugh!

Robb North has managed to capture a melancholy air with his photos. One almost senses the atmosphere of a late Sunday afternoon as the shadows lengthen in the fading light and the breeze gently stirs the grass. Or the lonely silence of someone waiting for a footfall that will never come. The way light falls at a certain angle can trigger these emotions in sensitive people. Robb has managed to capture this light, along with the serenity and solitude of his locations.

Rustyphotography is back with a very dark series featuring abandoned buildings, incredibly dramatic skies press down on decaying walls and a feeling of utter silence permeates the shots. Once again here’s a body of work that needs time to study with care as there are some unbelievable captures. With no specs available one can only speculate on the dynamic range that has been combined into a single file, still it gets my HDR award. Rusty is definitely back, was he ever away?

Sarah Sitkin has a refreshing imagination that runs riot across her portfolio. Vivid images tumble across your eyes as you scan her work, Often one has to enlarge a piece and study it to admire the thinking process behind it or wonder at the time it took to set up before the first shot could be captured. However it’s not all a mad hatters tea party there is a serious side to her work too. I still think she eats sugar coated pixels for breakfast.

Servalpe covers urban landscapes with a passion. If you are into the tech info on set ups, locations and HDR workflow techniques, this is definitely the site to browse. Although Servalpe outlines his approach in shorthand form it’s still valuable info for those who wish to achieve this level of expertise. Servalpe is an extremely competent photographer with some very impressive captures to his credit. Analysing his work, one can see that he chooses his subject matter with care in order to arrive at his initial vision. A Pro.

Shexbeer has produced an absolute goldmine of rich, moody shots in the Potters Manor House Series. There are not enough specs accompanying the shots but natural light seems to be the order of the day. Shexbeer has captured a dark brooding quality to the shadows, with daylight picking out the details. The toilet capture could be the first toilet shot to be classified as art! Excellent stuff, almost surreal. I realized afterwards that I hardly even looked at his other work but I will go back!

Sigi K, shooting in the wilds of South West Africa produces some very interesting work. Surrealism sits side by side with conventional shots’ that show a very strong creative force at work here. She has an enormous diversity of styles and deliberately imitates the photographic techniques of her other Flickr contacts in order to expand her processing/photographic skills and knowledge or IOL as she calls it (Imitation Of Life series ). Sigis’ captures are a visual delight plus her list of Flickr contacts are a goldmine of creative expression.

Silke Seybold. I absolutely adore Silkes’ work for the graphic quality she brings to it, and I love how the textured borders echo the feel of the locations and enhance the concept. Although some purists would dismiss her style as a form of graphics, here’s a shot that shows she’s a photographer with exceptional ability. In fact one needs a lot more space to discuss and go through her work as I have not touched on the color aspect, nevertheless take some time and check it out for yourself.

Snailbootys’ images have a very strong ‘Dada’ philosophy underlying them. Ridiculing the meaninglessness of the modern world and anti everything, Dadaists used an early form of shock art to carry their message. Snailbooty with his over-active, fertile imagination and inventive set-ups appears to be applying the same tactics by ridiculing the technical precision and clarity of digital photography. Experimenting in an ‘anything goes’ fashion, he has created some truly amazing images. A free-wheeling portfolio that’s definitely worth a browse.

Solarixx has a wild and very compelling portfolio. Her style veers across different genres creating waves in their wake. Some of her B/W work reminds me of the avant-garde photographer Man Ray, these images are very powerful and to a degree disturbing. Solarixx is obviously touching a nerve in the human psyche. Browse her work and you’ll find a restless enigmatic spirit here searching for a way to satisfy her creative curiosity. You like, you don’t like. Me, I like.

SoWhat captures minimalist landscapes ( eg. one tree in a vast field ) beautifully and with all this empty space around it’s very soothing to view.This type of compo however relies heavily on a good sense of design, coupled with great lighting conditions for it to work successfully, and SoWhat pulls it off neatly. There are also some cityscapes on his site which show a wonderful feel for light and framing, I absolutely love the light in this capture, for instance. The rest of his porty is a mixed bag but worth checking out.

Stella Brazil is a lady that shoots beautiful ladies, beautifully. But that’s not all she shoots beautifully. Bright eyed children, pottery, food, portraits, landscapes… all caught in captivating color, there are definitely no language barriers here as her photographs speak for themselves. I was particularly drawn to her photos of the Brazilian women, not merely for their exquisite features, but for the softness and quality of the skin tones she has managed to capture. No matter the subject, Stella Brazil brings the feminine touch to her work.

Stevacek has a couple of shots in his flickr stream that border on scenes from a big budget sci-fi movie. These are beautifully conceptualised surreal views of objects that are basically mundane. Other works in his photo stream include domestic animals… portrayed in a very unique way, cars and landscape/architecture. He achieves an amazing richness and depth to his color, and coupled with a very ‘graphic sense’ of composition he arrives at an impressive body of work.

Steve Rutherford has a very clean style of capturing, almost clinical. Using just one model and simple locations he has managed to create a very slick feel. I particularly liked the tonal look of this shot, the framing is great and I had to look twice before I noticed that the young man was in the air. He also shares some ideas on his lighting set-ups and thought process behind the motivation for the shot. His choice of model is superb, as somehow I don’t think the intrigue would be there if this was Harry Smith ( sorry Harry )… most inscrutable!

Ste-peg has some unbelieveable pics of industrial decay here. Where this man finds all this stuff is beyond me, are there that many abandoned pieces of real estate standing around falling down in silence? Nevertheless, I was totally absorbed by it all and went slowly from one shot to the other trying to imagine what sort of life went on there, and the people … did their hopes and dreams begin and end there? It’s a very varied and moving series with many great natural light set-ups and textural qualities. Check it out you’ll be amazed!

Surrealize brings yet another look to landscapes. I must say I’m staggered at the variety of interpretaions that one finds in this field. However before we look at that, check out the beautiful colors in this shot, the water reflection moves this compo to another level, great. Surrealize continues with his incredibly vivid treatment with this cityscape and towards the end of his comments under this shot he gives some interesting tech details. The Tower is comprised of 9 different bracketed exposures to achieve this effect, really cool! What I really like about some of these guys is the inside info they’re willing to share with you plus an insight into the way they work and think.

TheWalkinMan sure had me crawlin’ all over his work. I found some very intense portraits there which left me amazed at the detail, ( for a moment I thought they were super-realist paintings ha ha ). Caitlin is a honey, isn’t it incredible how this pic actually captures the childs personality… maybe life imitates art! Still staying with the portraits, because I feel this guy gets it right, I was also knocked out by the tomato shot. Look at how the red pops, very intense… mmm, are you sure these aren’t super-realist paintings?

Velvet‘s Flickr stream is exceedingly diverse and a little bit difficult to pin down, she has a reportage type feel to her work generally but what I really liked is this pic and the thick color she has achieved here. Some of her offbeat portraits appeal to me like this one which would look amazing as a fashion mag DPS. Then there is a lovely moment captured here. It would be great to see this portfolio edited down, some great work is being swamped.

Visualechoes takes us on a breathtaking ride with a photo stream packed full of car shots ( some bikes and a few girls too ). It’s refreshing to see someone so dedicated to a particular subject that he explores it again and again with night shots, rigs, sunsets, dawn shots etc… you name it. Cars can be hell to shoot as so many elements come into play, for example unlike landscape photography, movement adds another dimension to the capture. Plus the many different facets and reflections require a discerning eye to capture the essence of the design. You don’t have to be car enthusiast to love this.

Walkinginspace creates his own visual language with some awesome architectural shots. These are not conventional photographs of buildings however, Walkinginspace has selectively composed his photos to create an abstraction of color and form, in fact, the color and form become the subject of the composition. His work is fascinating in that ordinary buildings of no architectural significance are imbued with a stylish elegance, he sees beauty in a balcony and form in telephone wires. Thanks to Walkinginspace I’ve come to realize we are surrounded by works of art.

Weirena captures flowers unlike any other photographer I have encountered. Her incredibly delicate photographs, once captured, are then enhanced with soft layers of background textures, borders or other images for which she displays a natural flair. Nature has its own HDR as this beautifully seen composition shows and the sunflowers rival Van Gogh’s palette. Weirenas’ work is a welcome respite from abandoned buildings and, I am sure, she would agree with Claude Monets’ sentiments who once said, “I owe having become a painter, to flowers”.

Wink shares a few short processing tips with us on his Flickr site that’s worth checking out like this Photamatix and Topaz comparison of a raw shot ( Straight Out Of Camera ). He has a good eye for composition as can be seen by the following shots, these set-ups are essentially very simple but look at his interpretation! Wink also experiments with a $50 fish-eye for fun and comes up with some pretty cool shots. Lots of interesting stuff on his site that’s worth a view.

Xaomenas’ still-life gallery is like an invitation to the studio of a Dutch master in the Golden Age. Much like 17th Century still-lifes, the objects portrayed are essentially mundane but it requires an outstanding technical and creative skill to bring these compositions to life. Xaomena has that skill plus a superb eye for light and form. Still life is a genre not often found on Flickr so I would take the time to travel back with her to the 17th century.

Xavibarca‘s pano shots of Hong Kong are a technical and visual triumph. For those of you who are interested in this genre of photography this is not only a visual experience but a rewarding insight into the pano approach, as Xavibarca gives invaluable advice from his own experience in the field. The colors and clarity are stunning and he achieves a seamless whole from what are essentially different frames/exposures ( sometimes up to 15 different exposures ). The rest of the portfolio is equally impressive as he carries through his wonderful color sense and ‘look’ to create a cohesive style.

Yannick has a very inspirational and highly imaginative set of shots, combining his photographic expertise with Photoshop he manages to capture some unbelievable images. There is a flawless quality to his work and he seems to enjoy sharing set ups and tech info, which is invaluable advice coming from a photographer of his calibre. Photo-manipulation appears to play a big part in the more unconventional captures which doesn’t detract from the viewing experience. Well worth a browse.

Phew

Phew, that was quite the list. I guess all that’s left for me to say is that if you want to take a look at my stuff on Flickr, go right ahead – do say hello, and I’ll have a peek at your Flickr stream, too!


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© Kamps Consulting Ltd. This article is licenced for use on Pixiq only. Please do not reproduce wholly or in part without a license. More info.

Shadow Catchers at the V&A

Garry Fabian Miller

Sometimes, I think it’s easy to forget that you don’t need a camera to create a photograph. Oh sure, cameras make it easier, and in some respects safer, but it definitely isn’t all about the megapixels. If you need convincing of this, you should take a trip to the Shadow Catchers exhibition at the V&A, which opens today.

A selection of 75 different images, including photograms, luminograms, and chemigrams, produced by five different photographers—Pierre Cordier, Susan Derges, Garry Fabian Miller, Adam Fuss, and Floris Neusüss—will be available for your delectation.

'Homage to Talbot: The Latticed Window, Lacock Abbey, 2010', by Floris Neususs

Every one of the images is completely original: there’re no negatives. I’ve only had a quick peek, but I reckon this one might be worth the entry fee.

Shadow Catchers runs from from 13 October 2010 until 20 February 2011, at the Victoria and Albert Museum, Cromwell Road, London, SW7 2RL.

What time is it? Oh, it's f/5.6 o'clock!

fstopwatch

Lately, photography-related novelty items have appeared all over the web. Look around online and you’ll see things like bowling ball camera bagslens coffee mugs and camera dial laptop decals, just to name a few. So what have they come up with now?

The latest is the F-stop Watch. What makes this watch fun is its lack of hour and minute labels. Instead, it features several aperture stops in order to help you tell time. While the design might make things tricky when someone asks you what time it is, I’m sure it’s easier to read than on some of these watches.

The F-Stop Watch is available through NeatoShop for $36.

Nokia's film shot on a phone

n8-4

It was only a matter of time. After a professional fashion shoot done using an iPhone and Sony announcing that it has a 16 megapixel sensor ready to go in its camera phones, a film shot on a mobile phone had to be next. Nokia has taken that honour.

It’s called The Commuter and it has been filmed in its entirety using Nokia’s brand spanking new N8. And to prove just how serious they were about their camera technology (it’s a 12 megapixel number with a Carl Zeiss lens and a Xenon flash), they recruited Dev Patel, Pamela Anderson, Ed Westwick, and Charles Dance to the cause. Oh, and it has been directed by an up-and-coming groovy duo, the McHenry brothers.

There’s a behind-the-scenes video of the video so you can see how they got on, too:

I’m just wondering how good the phone bit of this phone is…

The Nokia N8 is available from Nokia from 15 October. The film premieres towards the end of the month.

RHS Young Photographer of the Year winners

Something exotic at Kew Gardens

In July, I got a bit excited about the Royal Horticultural Society Young Photographer of the Year competition. I thought that it offered a great incentive to get young people taking photos, and to get them out in gardens and parks and looking at the world around them. But enough waffle. The results have just been released. And these kids can put to shame quite a few far more experienced photographers.

Young Photographer of the Year (under 18) went to Sam Kaye

Children’s Photographer (under 11) went to Anastasia Kapkin

To see the runners up and commended entries, mosey on over to the RHS site.

Hot under the collar

Exhibition-at-Musee-dArt--untitled

City Hall in Paris has managed to create a bit of a commotion. It’s gone and done something that just isn’t very French. (The Brit in me wants to say ‘just isn’t cricket’, but that wouldn’t really be cricket.) It has censored an exhibition. Yep, Paris, that bastion of artistic liberalism, has been told that Larry Clark’s retrospective—Kiss the Past Hello—at the Musée d’Art Moderne is unsuitable for under-18s.

Now, Clark has always cut close to the bone. (He was the director of the 1995 film Kids, let us not forget.) His photographs are gritty, explicit, and provocative. I’d even describe some of them as stomach-churning. But they’re mostly images of under-18s. I can’t claim that these photographs are especially representative of my teenage years, nor those of my friends (I definitely wasn’t pregnant and addicted to heroin at 16), but they do portray the lives of some teenagers. So part from their intrinsic brutality, are they actually that shocking for under-18s?

Untitled, 1971. (Courtesy of Larry Clark, Luhring Augustine, New York and Simon Lee Gallery, London )

One of my friends pointed out that if you want shocking or potentially exploitative, you only have to flick through a newspaper or turn on the evening news. It isn’t as if young people are cocooned from obscenity, drug abuse, violence, or sex and that this exhibition is exposing them to some previously unknown of unvisited horror. This is, or was, someone’s—many people’s, in fact—reality.

As my Ma, who is some sort of bastion of social liberalism herself, put it: ‘When you were 15 I’d rather that you were hanging around a gallery than doing things with boys in the backs of cars. Besides, the pictures hardly glamourise taking drugs or having sex.’ Oh no, these pictures hardly inspire you to shoot up in a dingy council flat in a dodgy area of Brixton. They probably do the exact opposite, in fact.

Speaking of achieving the exact opposite, there’s nothing more attractive than forbidden fruit, is there? How many under-18s would’ve attended the exhibition if it weren’t age-restricted and how many are now looking up Larry Clark on that there intergoogle-fandango, especially after Liberation emblazoned its front page with a slightly raunchy image from the collection on Thursday? In 1960, the publishers Penguin were taken to court on ground of obscenity for publishing Lady Chatterley’s Lover. Which book shot to the top of the best sellers’ list? Lady Chatterley’s Lover.

Kiss the Past Hello runs from from 8 October 2010 until 2 January 2011, at the Musée d’Art Moderne, 11 avenue du Président Wilson, 75116, Paris.

Ten Scintillating Street Shots!

IMG_1576

Well, they’re actually street and reportage, but then I wouldn’t be able to have my alliterative cake and eat it if I included that detail in the title. One of the most frequently explored areas of photography is what we might class as reportage, or street photography (if the photo has a street in it somewhere, obviously).

A street shot can be a historical document, a candid snap presenting us a slice of life, or a carefully thought out, tidily composed architectural piece.

Or, apparently, hundreds of HDR images of pigeons.

Now don’t get me wrong, I appreciate that good street photography is hard to do well – the best images have that little sprinkling of magic and catch your eye – so I thought it’d be nice to put together a small selection of street and reportage shots, old and new. Hopefully this mix of old historical images and more recent (as in “more recent than 1920″) street photography will inspire you to get out there and find that elusive killer image.

Remember, think laterally, not literally!

1 – One Simple Day in London

One Simple Day in London by Miodrag Bogdanovic mitja

2 – Untitled

Untitled, by Thomas.hwluxx

3 – Palmers Mysetery Hike

Palmers Mystery Hike

4 – Palmers Mystery Hike

Palmers Mystery Hike

5 – Untitled

Untitled, by Ocularis

6 – Ocean Wave Hotel

Ocean Wave Hotel

7 – London Bridge Tunnel

London Bridge Tunnel by Martino's Doodles

8 – The girl in the street

The girl in the street by **fly**

9 – Foggy Day on the Streets of Brussels

Foggy Day in the Streets of Brussels by Ben Heine

10 – This is London calling Bokehistan. Will you accept the charges?

"This is London calling Bokehistan. Will you accept the charges?" by Rogvon

All photos used in this article are used as ‘fair dealing‘. If you have strong reservations against your photos appearing on Small Aperture, please contact us, and we’ll get them taken down. Please support the artists creating these photos by clicking on the photos to take a closer look at their work!

World's first 16 megapixel mobile phone sensor

sony_sensor

The megapixel race among camera phones continues as Sony just announced the world’s first 16.41 megapixel back-illuminated CMOS sensor for mobile phones. While the sensor’s specs may rival, and exceed, those of some point and shoot cameras, it remains to be seen if it will actually result in higher quality images.

Keep in mind that a high megapixel count isn’t the only ingredient in the recipe for a crisp photo. If the small sensor doesn’t retain high light sensitivity or benefit from a proper lens module, the only thing those 16 megapixels will capture is an unaware public obsessed with pixel count.

However, Sony claims to have improved on high sensitivity and low noise in developing this new sensor. New and improved technology, or marketing ploy? We shall see next year as Sony plans on shipping these sensors in January of 2011.

Read Sony’s press release for more details.

More album cover grief

Safe Trip Home

What is it with album covers and disputed photographs? Hot on the heels of the Vampire Weekend fiasco, the astronaut Bruce McCandless is suing Dido for using the image of his 1984 spacewalk on her ‘Safe Trip Home’ album. He’s after unspecified damages from Getty Images, Sony Music, and Dido (or Dido Florian Cloud de Bounevialle O’Malley Armstrong, to give her her full name) for using his ‘persona’ without permission.

Thing is, he’s not physically identifiable in the image; he’s no more than a white blob. But he’s pretty famous for making that spacewalk and you can figure out it’s him with a bit of brain power. So does he have a leg to stand on? I honestly have no idea. You’d've thought that with all the money that is ploughed into the technical legal aspects of producing an album, some lawyers might’ve considered this one.

Headsup to The Guardian.

Anything you'd like to know about Lightroom 3?

This is what happens when you play with vibrance and saturation

When I was writing our review of Lightroom 3, I realised that I was amassing a list as long as an elephant’s trunk of questions that I’d like to put to the team who developed it. You know: ‘What was your starting point?’ ‘What’s your favourite feature in the programme?’ ‘What snack-food sustained you when you were up against a deadline?’ All the important things about a piece of software. Lo and behold, when I asked them, the lovely people at Adobe said that I could put my bizarre and possibly mundane series of questions to Tom, who worked on Lightroom 3.

Now of course I’m slightly worried that my obsession with snack-foods and other banalities might drive the poor guy to distraction or the entire exercise will descend into a debate on the superiority of peanut M&Ms over chocolate ones. But I think I have a solution! If you’re the people reading the interview, what is it that you’d like to know? If there’s something about Lightroom that you’ve never been able to figure out or something you’ve always wanted to understand the theory behind, now’s your chance! Drop your question in a comment (before Wednesday 13 October), and I’ll do my best to put it to Tom.

I can’t guarantee that I’ll be able to ask your specific question, but unless you ask, you’ll never know! Over to you…

Everything you ever wanted to know about Lightroom 3

Toy camera

…and shouldn’t be afraid to ask.

When it comes to photo editing software, Haje is convinced that Lightroom 3 is the best programme out there. I’m probably not that far behind him when it comes to cheerleading for it, either. (Take a look at my review over on Small Aperture if you need convincing.) Still, we’ve a fair few questions about it that we’d like to put to the team that developed it.

Guess what? Adobe is giving us the opportunity to pick the brains of a member of Lightroom 3′s development team. Seeing as this is too good a chance to pass up, we thought that perhaps if you’ve any burning questions about Lightroom that are giving you sleepless nights, you might like to let us know.

We can’t promise that we’ll be able to put all of your questions to Our Man At Adobe, but if you don’t ask, you don’t get. So, whatever it is about Lightroom that you’re desperate to know, drop your question in a comment (before Wednesday 13 October) and we’ll do our best to get you an answer.


Do you enjoy a smattering of random photography links? Well, squire, I welcome thee to join me on Twitter -

© Kamps Consulting Ltd. This article is licenced for use on Pixiq only. Please do not reproduce wholly or in part without a license. More info.

Our October Photo Competition!

IMG_1952

Hello Lovely People. We’ve a little treat for you. We thought that you might like to have a go at a monthly photo competition. We’ll set a theme or technique, you submit a picture to our Flickr pool, we choose a winner. If you’re really lucky, we might even try to rustle up some prizes. What do you say? Interested?

Thought you might be.

Cos it isn’t autumn all over the world, we thought that we’d avoid the cliched ‘Autumn’ theme and instead go for a technique this month. I’ve been obsessing over long exposures recently, so I’d like to see what you guys can come up with using a slow shutter speed that can dazzle and impress me.

You’ve between today and Wednesday 27 October 2010 (that gives you three weeks) to submit your, what will doubtless be stunning, entries here.

We’ll try to decide on a winner before Wednesday 3 November. If you’re the lucky person with the super-groovy winning entry, we’ll show it off here on Small Aperture and send you a copy of 365 Photography Days, which has some gorgeous inspirational shots in it.

Any questions? Ask away.

Being a competition, we have had to draw up The Rules. Sorry. I know it’s not that exciting, but it’s got to be done.

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.