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Lensbaby gets adaptive

Picture 2

You might think that we’d planned our 10 titillating tilt-shifts to co-incide with Lensbaby’s most recent announcement, but I can promise you that we didn’t. It’s just a happy coincidence that if you’re so inspired to have a go at tilt-shift photography with your Micro Four Thirds camera or your Sony α NEX camera, you can do so with Lensbaby’s Tilt Transformer and Composer.

The Tilt Transformer will allow you to attach any Nikon mount lens onto your Micro Four Thirds or Sony α NEX camera. Whether you want to have a go with a prime, a macro, or a fisheye lens, the Tilt Transformer will be your friend.

The Lensbaby Tilt Transformer for all your Nikon glass

If you don’t happen to have a box of Nikon glass lying around ready to attach to the adapter, you can attach the Composer to the Tilt Transformer and play around producing tilt-shift pictures until your heart is content.

The Lensbaby Composer + Tilt Transformer

The Tilt Transformer is available for $250 from Lensbaby or Amazon US, whilst the Composer and Tilt Transformer together costs $350, also from Lensbaby or Amazon US.

10 titillating tilt-shifts

Me on the Southbank

Tilt-shift photography used to be the preserve of architectural photography. But not so much any more, and looking at these glorious examples, that can only be a good thing. If you feel as if you want to play that bit more with your viewer’s perspective, you can always use a tilt-shift to fake a miniature, too. If you’re not blessed with a tilt-shift lens, you can always manage it with editing software. But meanwhile, take a look at our ten of the best tilt-shifts.

1 – You can tell

'You can tell', by B Tal (Brian Talbot)

2 – Real models

'Real models', by kennymatic (Kenny Louie)

3 – Classy Chassis Car Show

'Classy Chassis Car Show' by baldheretic (Jay Lee)

4 – Miniature Airport

'Miniature Airport', by {Away until inspiration comes} (Stav)

5 – Fishing boats

'Fishing boats', by SantiMB

6 – Little game

'Little game', by Pattagon (Nicolas)

7 – Toy Boats

'Toy Boats', by moonstar909

8 – Miniature All Blacks

'Miniature All Blacks', by Pattagon (Nicolas)

9 – Lensbaby Macro

'Lensbaby Macro', by Jari Kaariainen

10 – Ricardo

'Ricardo', by lpm (Catherine Currie)

All photos used in this article are used as ‘fair dealing‘. If you have strong reservations against your photos appearing on Small Aperture, please contact us, and we’ll get them taken down. Please support the artists creating these photos by clicking on the photos to take a closer look at their work!

Digital Foci aims itself at the European market

photobook

How do you like your pictures stored? Small and neat? Easily viewable? Well, Digital Foci, a digital photography accessories company, recently announced the expansion of three of its leading products into the European market in 2011. They’ve three offerings, which they hope will cover the various needs of anyone who takes photos. Let’s have a closer look.

Picture Porter 35

The Picture Porter 35 is a portable photo manager that comes in 250GB and 500GB capacities. Marketed as a portable hard drive for use during vacations or on photo shoots, this 5.4 inch storage device features a memory card reader with a 1GB per 90 seconds transfer rate and a 3.5 inch color LCD screen to view your photos on. It also supports RAW images as well as various music and video formats.

While it may have two features that most portable drives do not (LCD screen and memory card reader), the availability of countless other drives with twice the capacity (1TB) at one third of the price ($170) **cough** Western Digital **cough** makes me wonder if those features are really needed. If it does float your boat, though, expect to pay somewhere around $399 for a 250GB one and $499 for 500GB. (There aren’t any European prices yet.)

Photo Safe II

The Photo Safe, at $159 or $219

Okay, so the Picture Porter 35 may be a little pricey for what you get. Well then, the Photo Safe II is your solution. Also available in 250GB ($159) and 500GB ($219) capacities, the Photo Safe II can be seen as the Picture Porter’s little brother with a length of only 4.6 inches. It also supports most memory card types and transfers 1GB in 3.5 minutes. But again, with many other competitors offering more storage capacity for cheaper, price is something to consider here.

Photo Book

Can the iPad do this better?

One of Digital Foci’s hottest sellers in the U.S. for 2009, the Photo Book is a digital portfolio album for photographers to showcase their photos. The Photo Book comes with 4GB of memory, available in two different versions: a “Wedding” version (Pearl White) or a “Professional” version (Black). All for $189.

The device is ideal for wedding photographers (or other professionals) to display their portfolios to potential clients, or for non-professionals to simply show off their vacation pics to friends and family. While the Photo Book may be suitable for such purposes, the success of Apple’s iPad combined with the future release of upcoming touch tablets may make photographers think twice before buying this glorified digital frame. For just a few hundred more dollars, you could buy an iPad with no ugly buttons and a beautiful 10-inch touch display, not to mention the bajillion other things (video, music, apps, email, time-traveling) it can do.

What do you think then? It seems as if you’ve got to be able to offer something really special to be able to crack this market.

200 megapixels? You'd better believe it

Camera_Hasselblad_taking-photograhy_black

Oh L-rdy! The clever people at Hasselblad have been thinking up clever ways to capture images using a 200 megapixel monster. Yeah, I had to read it several times before it sank in.

It relies on using a 50 megapixel sensor that takes six images and then calibrates them. Doing it this way, Hasselblad reckons that it’ll be more accurate than a single image from a 200 megapixel sensor.

Hasselblad are marketing this to museums and studios that shoot lots of lovely luxury products that mere mortals can’t afford. I’m imagining diamonds the size of golf balls and cars that travel at the speed of light.

They’ve a little more testing to go, but the plan is to insert the 200 megapixel mode into the HD4-50MS in early 2011. The camera will still be able to shoot in plain old boring 50 megapixel mode, too. And if you already own an HD4-50MS, you’ll be able to send it back to factory for an upgrade. For a fee, of course.

No, they’ve not released any prices at all.

It's back! The Polaroid 300

Polaroid 300

The Polaroid 300 is back after a hiatus of just over two years, and rather cute it looks too. Mmhmm, the original instamatic camera has been revived and relaunched and looks good enough to eat. Seriously, one of my friends took one look at it and asked if it were edible.

I assumed a more conventional approach and took photos with it. I also carried it with me wherever I went and asked friends and family what they thought of it. Aside from the enormous amount of fun I’ve had with it, and the constant stream of ‘Oohs!’ and ‘Aaahs!’ from my nearest and dearest, what’s the Small Aperture verdict on this pretty piece of kit?

Design

Aside from looking delectable, the Polaroid 300 is a very tactile camera. It has a rounded but chunky design that you really want to hold. This is a good thing in more ways than one: although it does have a flat bottom and can stand up, the bottom is too small and it falls over far too easily. Thankfully it seemed to survive the couple of occasions that it did take a drunken wobble, but I wouldn’t want it tumbling from any great height.

The shutter release button is a big thing on the front of the camera and there’s a dial on the top which allows you to select your shooting mode. Everyone seemed to muddle up the two initially, but when you know, you know. Next to said dial is the film slot, where your picture pops out when it’s taken.

There's the shutter release button, on the front

The viewfinder is on the far right of the camera. One of my friends who is left-eyed found this problematic, but I didn’t notice, being right-eyed and all. What I did find irritating was my finger’s ability to wander in front of the viewfinder when searching for the shutter release button. They’re a little too close for convenience.

Loading the film into the back of the camera was super-easy. So easy in fact, I worried that I’d done something wrong. There’s a little counter in the bottom right corner showing you how many pictures out of your pack of ten you’ve left to take.

I’ve been playing around with the bright blue model, but there’s a gorgeous burgundy red option. Or you could stick with plain black. But who’d want black for a fun camera such as this?

Oh so lovely in red. And look at that on-off function!

My favourite-feature award has to go to the on-off mechanism, though: you pull the lens away from the camera body and on it comes. How groovy is that?

Handling

You’ve four shooting modes to choose from: indoor/dark; cloudy/shady; fine; or clear. Whichever mode you’re in, though, the flash will always fire. And to be entirely honest, it’s a bit of a hit-and-miss affair. The lens is freaking huge, though, and it doesn’t tally up to the size of the viewfinder. You’ll get whatever you can see through the viewfinder and quite a bit more besides in your photo.

The picture whirrs out of the slot almost instantly, but you’ll see nothing at all for at least ten seconds. Then your image will slowly begin to emerge through the misty white haze of development. After about 40 seconds you’ll have a much better idea of what you’ve snapped.

Pictures

They’re Polaroid pictures. They’re tiny. The colours are washed out. Everyone’s skin tone is about six billion shades out of whack. I took one photo in the garden, using the cloudy/shady setting (because, well, it was) and it looks as if I took it in the dark. Everything is soft and mushy. But they’re Polaroid pictures; what else did you expect?

I’m going to magnet mine to my fridge.

The verdict

Each picture works out at around £1 a go. That’s not cheap, and some people might find this prohibitive. But it is instantly gratifying and this camera is, essentially, a toy. You’re not going to use it to document your entire trek across the Himalayas or your safari through the Kruger National Park. It’s for parties and for picnics and probably even a bit of posing.

When we’re so accustomed to being able to take hundreds of photos, to discarding the terrible ones, to editing the ones that we do want to keep, that it’s refreshing to revert to old-fashioned one-shot photography. Even if the camera is pretty much a play-thing, it makes you think about your picture that tiny bit more.

Polaroid 300s are available lots of places, including the lovely Amazon, for £79.99 in the UK, or $89.99 from Amazon US. A pack of film (10 exposures) is £12.99.

Happy 5 Billionth, Flickr!

Flickr

Have you ever wondered how many photos there are lurking amongst the Flickr webs? Well, as of today, there are 5 billion. Yes, really, 5 billion. Woodwards Collage was uploaded by yeoaaron on 18 September 2010.

For the last four years Media Culpa, a public relations and media blog based out of Sweden, has been tracking Flickr’s upload milestones. A basic graph they created shows a steady increase of about one billion photos uploaded per year since 2007. Will that rate of growth stabilise, or increase, do you think?

Woodwards Collage, by yeoaaron

Anyway. Congratulations to Aaron Yeo and Flickr for reaching this mega-milestone!

via TechCrunch

Pictures in the park

Picture 3

It might be cutting it a bit fine, but if you’re an American resident and you’ve a stunning picture taken in just about any park, or at a National Monument, in America you’ve still time to enter into the Canon Photography in the Parks competition. There are some rather cool prizes up for grabs, too.

It’s free to enter, and you can submit photos until 30 September 2010. There are two categories, one for entrants aged 13 to 17 and another for those aged 18 or over. You never know, you could walk away with a new Canon 5D Mark II, or a Pixma Pro9500 Mark II printer, or a trip for two to a national or state park.

And to inspire you, here’s the photograph that took the grand prize in the 2009 Teen Contest: First Ray, by Chikku Baiju.

First Ray, by Chikku Baiju, winner of the 2009 Teen Contest Grand Prize

Other 2009 winning entries can be seen here, whilst far more details, including The Rules, are available from Photography in the Parks.

10 scintillating shadows and silhouettes

Poolside shadow ii

Bad shadow can ruin a picture: you’ve obliterated what you were supposed to be looking at, or mysteriously zombified your subject. But sometimes, good shadow can make a picture, making it that bit more interesting. Other times, shadow is the picture. I’ve been taking a look around for shadowy and silhouette-comprised pictures that I think might be worth a second look. What do you think?

1 – Autumn Cycle

Autumn Cycle, by moriza (Mo Riza)

2 – World’s Favorite Sport

World's Favorite Sport, by vramak (Rama V)

3 – Shadow Rider

Shadow Rider, by lowjumpingfrog (John Norton)

4 – Dance When No One’s Watching

Dance When No One's Watching, by vramak (Rama V)

5 – Discovering her shadow!

Discovering her shadow!, by Just Taken Pics (Ste Elmore)

6 – pre-dawn silhouette

pre-dawn silhouette, by switchstyle

7 – Me and my shadow

Me and my shadow, by jronaldlee (James Lee)

8 – It takes a long time to grow young

It takes a long time to grow young, by nattu

9 – Love is…

Love is..., by lovelypetal

10 – Shadows

Shadows, by Xavi Talleda

All photos used in this article are used as ‘fair dealing‘. If you have strong reservations against your photos appearing on Small Aperture, please contact us, and we’ll get them taken down. Please support the artists creating these photos by clicking on the photos to take a closer look at their work!

Channel Five launches photo course

Five

What are you up to tomorrow night? If you’re having a quiet night in, you might want to have a look at Channel Five’s new programme: ‘How to take stunning pictures’. It’s a joint venture between Panasonic and Channel Five and the aim is to help amateur photographers take better pictures with some professional help.

Pull up a chair and grab your SLR - Channel Five is launching their photo course

Hosted by Miss Gadget Show, Suzi Perry, there are six programmes that each focus on a different theme: landscapes, portraits, action shots, holiday snaps, celebration photos, and animals. A guest photographer will host a masterclass and then send off some amateurs to see who can get the best shot. I suppose you could try it out, too!

Lumix have sponsored the series and it’s going out on a variety of media: Panasonic’s IPTV service Vieracast, Panasonic’s and Channel Five’s websites, and of course, Channel Five at 19:30 on Tuesdays.

Astonishing astrophotography

Blazing Bristlecone, by Tom Lowe

I always thought that stargazing was best done in the desert, immersed in blackness, but the winners of the National Maritime Museum Astronomy Photographer of the Year awards have brought beautiful glimpses of the heavens to an exhibition at the museum in Greenwich. And not all these celestial images were shot on barren tundra, either.

The museum announced the winners of its annual competition this morning, and the exhibition—featuring all of the entries—runs from today until 27 February next year. Even better? Entry is free. But if you can’t make it to Greenwich, here’s a peek at the overall winner to whet your appetite.

Overall winner: Blazing Bristlecone, by Tom Lowe

Blazing Bristlecone, by Tom Lowe

To see all the winners, head over to the National Maritime Museum’s website, or of course visit the exhibition.

Astronomy Photographer of the Year exhibition runs from 10 September 2010 to 27 February 2011, 10:00 to 17:00 daily, at the National Maritime Museum, London, SE10 9NF.

Women photographers speak for PhotoVoice

PhotoVoice

Have you heard of PhotoVoice before now? No? Well, it’s a London-based organisation that aims to empower individuals and communities from disadvantaged backgrounds to improve their circumstances—socially and economically—through photography. They organise projects the world over that brings photography to people who might otherwise not experience it. This autumn, however, they’re organising a series of lectures for the general public, and very interesting the line-up sounds, too.

Kicking off things on Tuesday 5 October at 19:30 is the fine art photographer and film-maker, Sarah Moon. Not only will Moon be talking about her experiences in and motivations for photography and film-making, but she’ll also be showing her film, Black Riding Hood.

Picture by Anastasia Taylor-Lind

On Thursday 11 November, Mary McCartney, the fashion, portrait, and documentary photographer will be in conversation with Robin Derrick, the Creative Director of British Vogue.

Anastasia Taylor-Lind, a bright young thing in photojournalism and documentary photography, will be flying in from her current base in Syria to round off the series. She’ll be speaking on Thursday 2 December, from 19:30.

I think that I might just bounce along to one of these.

Entry to each lecture is £10 in advance or £12 on the door. All the lectures will be held at South Place Ethical Society, Conway Hall, 25 Red Lion Square, London, WC1R 4RL. More information is available from PhotoVoice.

10 resplendent reflections

IMG_0447

I’m not entirely sure why, but I’ve always loved photos that make use of reflection. I could go all philosophical and say that it’s about capturing the image of the image, but I’ve never thought about it that deeply. Quite simply: they are the kinds of pictures that I find appealing and would happily hang on my walls. So when I was recently surfing the Flickr-webs, these are the reflective beauties that caught my eye.

1 – A Reflection of Hope

A Reflection of Hope, by ecotist

2 – City Refraction, City Reflection

City Refraction, City Reflection, by lrargerich (Luis Rargerich)

3 – Reflections

Reflections, by kevindooley (Kevin Dooley)

4 – Reflections of Glasgow (1)

Reflections of Glasgow (1), by Shuggie!! (Karl Williams)

5 – Reflection of Taj Mahal

Reflection of Taj Mahal, by Ze Eduardo (Jose Eduardo Silva)

6 – Shy Reflections – Snowy White Egret (aka Heron)

Shy Reflections, by Darvin Atkeson

7 – Eye Reflection

Eye Reflection, by PicturePurrfect685

8 – Glass reflection

Glass reflection, by mirellawognum (Mirella Wognum)

9 – Regent’s reflection #1

Regent's reflection #1, by Brian Negus

10 – another funky reflection

another funky reflection, by annpar (Ann P)

All photos used in this article are used as ‘fair dealing‘. If you have strong reservations against your photos appearing on Small Aperture, please contact us, and we’ll get them taken down. Please support the artists creating these photos by clicking on the photos to take a closer look at their work!

A camera in the attic

Canon 518

If you follow Small Aperture on Twitter, where we’re known as smallaperture, you might have noticed my incredibly enthusiastic announcement last night that we found a Canon Auto Zoom 518 Super 8 movie camera in the attic of the Small Aperture mansion. Then again, I’m surprised people the other side of the city didn’t hear me squeeing. It was certainly the most exciting thing that happened to me yesterday.

Anyway, now that I’ve calmed down—if only marginally—I have a 1967, or thereabouts, home movie camera in my possession. Apparently it has a 9.5-47.5mm f/1.8 lens, shoots at 18 frames per second normally as well as having a slow motion option, has manual and automatic settings for aperture, and a super-zoom. It’s in its cute carrying case and everything.

It comes in a cute case and everything!

But I don’t have any super 8 film cartridges, hence my task is to locate some of those. I don’t think it’ll be too difficult, though. Then, I need to find out if this baby still works. Although she isn’t exactly antediluvian, it looks as if she’s been up there, amongst decades of accumulated junk and curios, for quite some time. It gets me thinking about what she might’ve shot, too, and maybe if any of the films are up there in random boxes.

Definitely a camera in there

Okay, I know that there isn’t exactly a great deal to tell you all right now, but I was far too excited to keep this to myself. I shall doubtless keep you updated on progress!

My new toy!

10 funky fisheyes

The Gas Company Tower by Metal Man (Michael Chen)

Recently, we posted an article on the use of a fisheye as an everyday lens. While writing that article, I came across some amazing photos that are perfect examples of how a fisheye lens can make your images stand out far above the rest. If you’re thinking about buying one, or perhaps borrowing a friend’s, then take a peek at these photos for some fisheye inspiration.

1 – The Gas Company Tower

The Gas Company Tower by Metal Man (Michael Chen)

2 – The Shelby Street Bridge

The Shelby Street Bridge by joshunter (Josh Hunter)

3 – Office: Want Otso’s job?

Office: Want Otso's job? by wili_hybrid (Ville Miettinen)

4 – Dan Deacon @ Coachelle 2008

Dan Deacon @ Coachelle 2008 by Mick 0

5 – Under the birches

Under the birches by taivasalla (Niklas Sjoblom)

6 – La Fontaine des Mers – Instax Windows

La Fontaine des Mers - Instax Windows by Slightlynorth (Shawn McClung)

7 – Washing Time!

Washing Time! by Zak Milofsky

8 – HDR IR A look up

HDR IR A look up by Lone Primate

9 – Going down

Going down by Potyike

10 – Natural History Museum

Natural History Museum by wokka

All photos used in this article are used as ‘fair dealing‘. If you have strong reservations against your photos appearing on Small Aperture, please contact us, and we’ll get them taken down. Please support the artists creating these photos by clicking on the photos to take a closer look at their work!

SoShowMe

Astrid Harrisson

The wonder that is the intergoogles allows everyone to exhibit their photos, whether it is on a Flickr stream, or on FaceBook, or on something like Shotblox. But it’s a bit different to seeing your photos made big and hanging on a gallery wall. However, for a handful of people who usually post their pictures on Flickr and FaceBook, they had the opportunity to see their work made big and hanging on a gallery wall last night.

London gallery theprintspace ran competitions over the course of a year, offering the opportunity for people to submit up to three photos a month to its FaceBook or Flickr groups. Each month the theme of the photos would change, and so would the professional photographer who selected the winners. The result is an intriguing mix of images.

There’s everything from beguiling landscapes to candid portraits through arresting still lifes. The only link between the images is how they were drawn together—by using social media—which means that there’s something for everyone to enjoy.

I’d recommend heading over to Shoreditch for an hour to have a wander. It’s free!

SoShowMe runs from 3 to 15 September, 09:00 to 19:00, at theprintspace, 74 Kingsland Road, London, E2 8DL.

Picture by Astrid Harrisson.

The Photographers' Gallery gets a refit

Photographers' Gallery

At a cost of £8.7 million, The Photographers’ Gallery in London will be ensconcing itself in a regenerative cocoon at the end of this month before emerging redeveloped, fully accessible, and with even more gallery space in time for Christmas 2011.

The refurbishment plans, drawn up by O’Donnell + Tuomey, include galleries across three floors, a floor dedicated to learning and resources, and moving the cafe and bookshop to the ground floor. All of this is a reduced version of the original plan that pretty much bulldozed the Ramillies Street building, but had to be scaled back when the Gallery couldn’t secure the £15 million of funding that it needed.

The Gallery won’t be going quiet during its facelift, though. It has organised a programme of events, projects, and talks that will take place in and around the Soho area of London where it is based. Its offices are moving into temporary accommodation and from here the Gallery will continue to sell its prints and offer access to as many of its resources as it can.

Whether or not the refurbishment will be enough to energise the Gallery, which has suffered criticism recently for being too narrow and out-of-touch—or even if it can survive being closed for 14 months—remains to be seen. But the plans do look very exciting.

Apple ventures into the bright new world of HDR

iPhone

Well whaddya know, the first topic that Steve Jobs discussed at Apple’s Special Event yesterday, when it came to the iPhone, was HDR photos. With the release of Apple’s iOS update (iOS 4.1) next week comes a new feature for the iPhone camera: HDR.

When you activate the phone’s camera, you’ll see a button on the top of the screen that says ‘HDR’. If you select this feature, the camera will take a normal ‘raw’ photo as well as an HDR image. Both will be saved to the iPhone’s camera roll.

According to Jobs, the camera will take three exposures in rapid succession: one underexposed, one exposed properly, and one overexposed. Some ‘complex algorithms’ (got to love that phrase) will then merge the three images together, creating one HDR photo. However, it’s more likely that the iPhone software automatically processes two extra images from the original rather than actually taking three separate photographs.

The slow speed of the phone’s shutter release would cause all sorts of camera shake problems, therefore making ‘real’ HDR photos difficult to achieve. While this may disappoint true HDR enthusiasts, the new native feature is a big step forward for smartphone photography and should help propel HDR photography into the global mainstream.

HDR: it’s where all the cool kids seem to be playing.

Friday 2 September 2010, Update: Seems as if it’ll only be available for iPhone 4. Oh Apple, why do you taunt 3G and 3GS users so?

Corinne Day: obituary

Corinne Day obit

If the 80s could be summed up by sequins, shoulder-pads, and stilettos, then the 90s was about something utterly contrary to that. Drawn, gaunt, and almost grubby it came to be known as heroin chic; and the fashion photographer responsible for this transition was Corinne Day.

Day was brought up by her grandmother and was a self-taught photographer. It was something that she came to after one job had already led to another career. She started out as a courier, flying packages across the world, but began modelling after it was suggested to her by a photographer who was seated next to her on a plane. When modelling, she met Mark Szaszy, the film maker who would become her life partner and would first hand her a camera.

There are two shoots in particular for which Day will be remembered, both featuring Kate Moss. The first was a 16 year old Moss frolicking half-naked on Camber Sands, dressed in clothes bought on Portobello Market—most notably a feathered head-dress—that featured in July 1990 issue of The Face. The second was Underexposed, shot for British Vogue in 1993. Yes, that was the series of photos that were variously described as ‘just this side of porn’, ‘hideous and tragic’, and ‘very young and very dead’. If photography is about provoking a reaction, she most certainly managed it.

But there was more to Day than these photos. She worked for British, Italian, and Japanese Vogue. She documented the lives of her friends, often in the direst and bleakest of situations: living in squats, ravaged by drug abuse, and bloodied by violence. She shot the cover of Moby’s album Play, and she was exhibited at the National Portrait Gallery, at the Victoria and Albert Museum, and at the Science and Design Museums. Day’s photographs were intimate depictions of people.

This intrusive portrayal of people included herself. In 1996, Day collapsed, was rushed to hospital, and subsequently diagnosed with a brain tumour. This sequence of events, and the treatment of the tumour were all documented and published as Diary in 2001.

The tumour, however, returned. Despite extensive treatment, much of it paid for by funds raised by the Save the Day campaign organised by her friends to sell limited edition photograph prints, Day died at home, on Friday 27 August 2010.

Whether you find Day’s pictures shockingly arresting or naturally attractive, her influence on fashion photography is undeniable.

Corinne Day, photographer, 19 February 1965 — 27 August 2010.

Kodachrome projects galore!

Kodachrome

Since June 2009, when Kodak announced that they were ceasing to manufacture their legendary Kodachrome film, Kodachrome projects have been popping up left, right, and centre. Well, it’s hardly surprising: photographers have wanted to make the most of the last of the film that was first manufactured 75 years ago, and brought high-quality colour photography to the masses.

Shooting on film is all about making every shot count: you’ve only as many pictures as there are on your reel, and when they’re gone, they’re gone. And whilst so much of photography is reliant on being able to react quickly and capture a flicker in time, using film instills a particular type of patience in you. You wait for the right moment, there’s no instant feedback from your screen, and then you wait a little longer for the picture to be developed.

The Kodachrome projects are, therefore, all the more pertinent. When the Kodachrome is gone it has gone for good. So what’s out there for our delectation? I’ve been taking a poke about the intergoogles.

Kicking off things, we have The Kodachrome Project. It’s run by Dan Bayer and celebrates the life of, and life in, Kodachrome film. As he puts it, Kodachrome’s age rivals that of the average human and he believes that it has been the most influential colour film ever produced. He wants people to experience and learn from shooting on film before it’s too late. Go take a look.

At 64×64, you can see the images that Phil Coomes, a photojournalist who works for the BBC, has been taking. There’s one picture a day for 64 weeks, taken on Kodachrome 64, taken for the sake of taking pictures.

I’ve really enjoyed Pontus Wallsten’s A Year of Kodachrome. It has some wonderful flower shots, which really bring home the colour quality of Kodachrome.

Jeff Jacobson’s book The Last Roll was shot on Kodachrome as he was undergoing and recovering from chemotherapy. You can take a look at some of the pictures and listen to him speak about the genesis of his project here.

There aren’t yet any pictures available from Steve McCurry’s Kodachrome journey, which started in New York and ended in Parsons, Kansas—at Dwayne’s, the only lab still capable of processing Kodachrome film—via India, using the last roll of Kodachrome to come off the production line. The journey was documented by National Geographic and will doubtless be televised at some point, whilst the stills will be presented to George Eastman House. It’s one to keep an eye on.

Kodak has its own Kodachrome gallery on its website. The shot of the windsurfers left me salivating and that of the fishermen balancing on poles breathless. Take a look for yourself.

Of course, Flickr is hosting a small army of Kodachrome projects, too. Some of them a group pools, others are individuals documenting their final shots on the film. You can spend hours wandering amongst them.

There are countless Kodachrome projects that have brought together collections of pictures that span generations. Okay, so they might not be directly fulfiling the brief of making the most of a finite medium, but they are worth browsing. Start with In Celebration of Kodachrome, on photo.net.

Whatever you feel about Kodak ceasing production of the film, or even film itself, it has spawned some inspired and fervent picture-taking. Yes, I have been tempted to dig out my film camera and dust it off. I admit it.

Armchair travel

Dhow and Minaret iii

It’s raining here in London and it’s making me feel a little bit down. In an attempt to make my world seem a little less bleary, I thought I’d go looking for travel photos. Whether or not this has actually cheered me up, or just made me want to fling a random selection of clothes in a bag and grab my passport, I’ve not quite decided. But here are some of the best travel photography sites that I wandered onto on my world trip, conducted from the comfort of the Small Aperture mansion.

My favourite has to be Photoburst. It’s a daily travel photo competition. One photo from however many daily submissions is selected and exhibited. You can check back at retrospective winners and explore the globe, but when you land on the home page you’re confronted with one, large, beautiful image.

Travelblog shows 30 thirty different photos every ten minutes. Some of them might not be that terrific, but the variety means that you’ll probably stumble over something that really appeals or inspires. And if you don’t, check back in ten minutes’ time!

I spent far too long just clicking through the gallery at Travellerspoint. The initial interface doesn’t do much to showcase pictures, but once you’re into the gallery-proper, you’ll be absorbed as you fly from Ireland to Bolivia to Nepal, via the Democratic Republic of the Congo.

Of course, National Geographic has an awesome collection of pictures. You can browse by country or by theme, or there’s the photograph of the day.

And finally there’s TrekEarth. There’s so much to choose from that just for browsing you might be overwhelmed—TrekEarth is a travel photo community that aims to improve photographers’ work through constructive criticism—but do go and look at the travelogues, where members submit a series of pictures to tell the story of a trip.

It’s still raining here. Ah well. Do you have any particular favourites to share?