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The Photocritic guide to photographing children

There's an adage which suggests that your life will be easier if you choose not to work with children or animals. Eh... I disagree. While photographing both children and animals can be highly demanding and occasionally somewhat frustrating, it's also wildly satisfying. Some of my favourite photos in my archive are of my nieces and nephews or of the animals that have galloped and jumped and hopped and tumbled and gallumphed and snoozed through my life. And I've had immense fun doing it. Seeing as the holidays are pretty much upon us, thereby increasing the chances that you might want or need to take photos of small people, now seems as good a time as any to present you with the Photocritic guide to photographing children. There are two crucial attributes to photographing children. First, patience. You will require it in bucket-loads. Second, you need to remember to think like a child. I doubt that you sprang fully-formed from your father's thigh, like Athene, so cast your mind back and try to remember what thrilled and bored you and interested and irritated you as a little one. By getting into their mindset, you'll give yourself heaps more opportunities to capture great photos of them.

With those two factors at the forefront of your mind, let's move on.

Get down

The best photos of children come when you get down to their level. Apart from it being so much easier for little people to relate to someone who's on their level, your photos won't take on an awkward, condescending air. Sure, every now and again photographing from above works a treat, but mostly it's about capturing life on their level. That means getting down on your knees or belly and seeing the world from your subject's-eye view.

Kneel, crawl, and wriggle

Give them something to do

If you want natural smiles and pictures of unhibited child-like joy, for heaven's sake do not attempt to pose a little one and elicit a grin with the power of 'cheese!' It might look terribly sophisticated to have them dressed in their party outfits and posing as if butter wouldn't melt in their mouths, but I doubt that's an accurate reflection of them or the most fun way they've ever spent 20 minutes.

Let them play.

If they're opening presents, you have plenty of opportunities for looks of concentration, puzzlement, wonder, and excitement flooding their faces.

Or singing. Singing is good.

Be quick with the exposure settings

They're going to be moving fast—children usually do—so unless you want motion blur in your photos, it means that your camera will need to be moving fast, too. Think about a fast shutter speed, a fast aperture, and a fast ISO if you need it.

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With a large aperture you can let plenty of light onto the sensor, which will allow for a fast shutter speed, and it'll keep the background blurred, too. You might not necessarily want an out-of-focus background, but if it's cluttered or untidy, it will draw your viewer's eye to your subject.

Auto-focus options

As with any other portrait, the eyes need to be in focus when you're photographing children. It's the first place your viewer will look and if the eyes are out of focus, her or his interest will wander. Rather than using one-shot auto-focus, you might find that your purposes are best served by either continuous auto-focus or intelligent auto-focus to keep the subject sharp even when it's on the move.

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Extra light

When you're setting up a shoot, sure some studio lights might be a good idea to help get the photos that you want. But for those times when you're sitting on the floor surrounded by scraps of wrapping paper? They're probably not what you want. I'm not that fond of on-camera flash around babies and small people, either. It can be far too harsh and startling for them. Make the most of the light that you have, and bring out a reflector if you need one.

Enjoy yourself

If you're not enjoying yourself, neither will the kids whom you are trying to photograph. And why should they? Smile, talk to them, take an interest in what they're doing. The more relaxed you are, the more relaxed they'll be, which makes things better for everyone.

And sometimes breaking the rules totally works

Photographing the school nativity play

The end of term is drawing nigh and primary schools across the country are preparing to roll out their annual festive act featuring a miserable Mary, a startled Joseph, three kings, a flock of shepherds, a mega-flock of sheep, and likely a rendition of that well-known Christmas classic, 'Let it Go'. If you're a proud parent, doting aunt or uncle, or adoring grandparent and want to capture the event on camera, what's the best way of going about it?

Little people and the law

First of all, if anyone tries to tell you that you're prohibited from photographing the nativity play because of data protection tell them that they're wrong. The Information Commissioner's Office has stated quite clearly that family members wanting to photograph or video their children's (or grandchildren's, nieces', nephews' &c) school plays in no way violate data protection regulations, provided that it is for personal use. So ner! (Insert sticky-out tongue here.)

Individual schools might have tighter regulations relating to photographing their pupils, especially if any of them are looked-after children—that's young people who are in the care of their local authorities, and most likely are being fostered, are in care, or are in the process of being adopted—whose identities need to be protected. If photos of them made their way onto social media sites, it could lead to difficult, or even nasty, situations. Please do bear that in mind.

Get in before the act

If you're really intent on getting the best photos of the show, ask the school if you can drop by for the dress rehearsal. Everything should run just as it would for the real thing, but the children won't feel under pressure from a huge audience and you should be at liberty to move about to get into the best positions without disturbing any other spectators. It also means that you get two bites of the mince pie: one to photograph it, and another to enjoy it and swell with pride like a Christmas pudding in a steamer.

Of course, the school might not want the dress rehearsal descending into the production's semi-official photo-shoot or it might not be convenient for you to attend. In which case, you'll need to make sure that you're at the real thing in time to get the best seat. Ideally you want to be close to the front, but make sure you consider your fellow audience-members. They're just as invested in this production as you are and will not appreciate their enjoyment of the show being obscured by you and your kit wriggling, fidgeting, and readjusting.

Selecting the kit

The best camera is the one that you have with you. If you've only a smartphone or a point-and-shoot, so be it. The important thing to remember is to turn off the flash. First, it likely won't have a discernible impact on the shot; second, it will distract the Angel Gabriel. If you can, bump up the ISO to give you the best chance of getting a blur-free image. It might be as noisy as Hark the Herald Angels Sing, but grain beats blur.

For anyone with an interchangeable lens camera, I'd advise selecting one lens and sticking with it if you're photographing the real thing. You don't want to be changing lens mid-performance. It will disturb the audience and possibly the cast, and you might well miss something crucial in the process. You have more latitude at the dress rehearsal, though.

Ideally, you want something fast, with a focal range to enable wide-angle and zoomed-in shots, and image stabilisation to help defy blur. We're not all blessed with these sorts of lenses, so select the fastest glass you have. You're going to need all the light you can get.

Settings

The two key points for performance photography have already been mentioned: turn off the flash and set the ISO as high as you reasonably can. You should be shooting in Raw anyway, but if you're not, go make the change the now. Skin tones under stage lights will thank you for it.

Plays and shows are fast-moving things: you're going to need a fast shutter speed coupled with a fast aperture to capture anything that isn't as fluffy as a sheep. Around 1/100 second should freeze action, but if you want to capture the blur of dancers spinning, you can always slow it down!

Switch your auto-focusing mode from one-shot auto-focus to something that can help you capture moving subjects; either Continuous/Servo or Intelligent/Automatic auto-focus should help you.

When it comes to metering, you might find that if you want to capture illuminated faces, switching to spot metering will give you the best chance of doing so. Just remember to meter what's in the light: if you accidentally meter off the dark backdrop, you'll end up with a ridiculously over-exposed image. For anyone with a smartphone, tap your focus box onto your subject's face: it'll meter better and do its best to get the subject sharp.

On stage

It's already been mentioned, but it's so important, we'll re-state it: don't distract the cast and don't disturb or obstruct the view of anyone else in the audience. You need to be as discreet as possible. Keep your elbows in and noise to a minimum. And for heaven's sake, don't stand up.

If you can, try to take a photo of every person on stage, and those who've worked behind the scenes, too. You don't want anyone feeling left out. And in contravention of our general guidance, take lots of photos. It's the best way to ensure that you capture the action because things happen so fast.

Don't forget to keep an eye out for things that are happening away from the main action, too. Small children get bored, pull faces, and do cute and funny things. These are always worth capturing if you spot them.

Finally: enjoy it. Don't become so focused on taking photos that you miss your daughter's big line or your son's solo. They're meant to be the stars of the show and the centre of your attention, not your photos!

Black Friday deals – what and where

Black Friday with its crazed rush for the shops and silly deals on sales is upon us. I've rounded up the best of the offers and listed the places that have sales happening. I'll add to it as I'm notified of any more. Take a look and see if you can grab a bargain! Glowing orbs smaller

Adorama

Adorama has an astonishing number of offers running over the Black Friday weekend. These include Canon 6D bundles going for $1,519 and 70D bundles for $1,149; the Pentax K-5 IIs for $469.95; and Sigma 70-200mm lenses for $1,099.

There's a whole lot more, though, so do check out the deals page.

Boomf

You can claim 20% off your Instagrammed marshmallows by using the code FALALABOOMF when you place your order.

Fracture

You can claim 30% off your Fracture orders, using the code BF2014 at the checkout.

iStabilizer

Buy iStabilizer's flexible tripod, mount, & 360 degree lens for $29.95.

Lensbaby

Buy a special edition Lensbaby Spark for $99.99, rather than $129.99. Or purchase the Composer Pro kit for $599.95 instead of $749.95.

Lollipod

Buy a Lollipod and get a universal phone adapter (worth £9.99) for free.

Olloclip

Buy an Olloclip 4-in-1 lens and pick up either a 3-in-1 macro system or a telephoto lens (even both, if you want) at a reduced price.

Photobox

Photobox is offering 50% off of all prints and posters. You'll need the code BLACKFRIDAY, and you'll need to order before midnight in the UK.

Photojojo

Photojojo has reduced the prices on a welter of its products, including lens mugs, battery buddies, and iPhone telephoto lenses.

Triggertrap

Buy a Triggertrap mobile kit and a flash adapter in the Triggertrap shop and get 20% off your order. You'll need the code HIGHSPEEDFRIDAY to benefit.

Wilkinson Cameras

Here in the UK Wilkinson Cameras have a large selection of cameras, lenses, tripods, flashes, and bags available at discounted prices.

The Photocritic Holiday Gift Guide: books for photographers

You can't go wrong giving a book as a gift. Here's a round-up of our favourite publications this year (and two from last year), which would fit the bill for any photographer. Books, not as tasty as cake, but equally lovely

Books by Team Photocritic

As much as we'd love to tell you to go out and buy all of our books because they're amazing and beautiful, that might be verging of self-promotion over-dose. Instead we've each picked out one of our books that we believe makes a great present.

the-rules-of-photography-and-when-to-break-them-1-rules-cover-976x976 Haje has selected his The Rules of Photography and When to Break Them. We're both fervent believers in the notion of knowing the rules so that you can break them properly, and this book teaches you precisely that, from why horizons need to be level and how to tilt them successfully, to embracing the grain from high ISOs.

The Rules of Photography and When to Break Them is available for £17.99 as a dual print copy and e-book bundle.

Surreal-COVER I've chosen Surreal Photography: Creating the Impossible, a whimsical trail through in-camera and post-processing manipulation to produce images that combine reality with the farthest recesses of your imagination.

Right now, Surreal Photography: Creating the Impossible is on sale at the bargain price of £9.99 for a print and e-book bundle.

 

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Artisans by Tim Allen

If you'd like to give a gift that will raise some much-needed money for a deserving cause as well as bringing pleasure to its recipient, do take a look at Tim Allen's photo book, Artisans. It explores the work of the violin-restoration, boat-building, stonemasonry, stained glass, and smithing professions in gorgeous black and white photos, while the proceeds go to the National Ankylosing Spondylitis Society.

Recommended donations are £10. Details of how to order a copy (and more on the book itself) from Tim Allen's website.

 

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30 Second Photography by Brian Dilg

Take the 50 most important aspects of photography, explain them using 300 words and one picture each and you have the wonderful 30 Second Photography, by Brian Dilg. It's a perfect book for any photographer: novice or highly-experienced.

30 Second Photography is available for £14.99 in the UK and $19 in the US.

 

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Moodscapes by Rebekka Guðleifsdóttir

Moodscapes is landscape photography ramped upto 11 with beauty and wonder. You could just flip through it awestruck by the images, but Rebekka Guðleifsdóttir also shows you how to accomplish these gorgeous photos yourself.

Buy Moodscapes as a print and e-book bundle for £19.99.

 

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NY Through the Lens by Vivienne Gucwa

If New York is a street photographer's dream, then Vivienne Gucwa's collection of images taken in, around, and about the city is a dream of that dream. Explore Gucwa's city with her, through her words and through her pictures.

NY Through the Lens costs £20 for a print and e-book bundle.

 

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The Photographer's Master Guide to Colour by Jeff Wignall

We teach ourselves about exposure, about composition, about post-processing. How much do we know about colour? Enlighten yourself, and elevate the impact of your images, with Jeff Wignall's impressive The Photographer's Master Guide to Colour.

The Photographer's Master Guide to Colour is available as a print and e-book bundle for £17.99.

 

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Photographs Rendered in Play-Doh by Eleanor Macnair

In autumn last year, we featured Eleanor Macnair's marvellous project, Photographs Rendered in Play-Doh: her Tumblr project recording the recreations of famous photos she fashions from Play-Doh, a pint glass, and a plastic spoon in her living room. Now it comes in a book.

Photographs Rendered in Play-Doh costs £20.

 

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The Street Photographer's Manual by David Gibson

Street photography books are ten-a-penny. Enter ‘street photography’ into Amazon and the search will return 30 pages of results. When you find a compelling and practical but inspirational book on the topic, you take notice. The Street Photographer's Manual deserves a look.

The Street Photographer's Manual is available from Amazon UK and Amazon US for £15 and $22 respectively.

 


Gifts for photographers, big and small < < Holiday Shopping with Photocritic > > Gifts for beginners


The Photocritic Holiday Gift Guide: photography presents big and small

If your photographer-loved-one is no longer a beginner; if there's nothing in the macro, high-speed, or landscape lists to light their studios; and if smartphone photography isn't her or his bag, we've another list of suggestions of gifts that might just fit the bill. Starting at £10, we hope we can help you find the perfect present for the photographer in your life. Lining up your presents

 

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A photo snowglobe

It's as cheesy as a French fromagerie, but at £10 and with space for two photos of your choice, I could barely resist this snowglobe from Urban Outfitters.

 

 

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Camera-shaped ice cube tray

We have ice cube trays in a variety of shapes, from fish to stars. There's no reason why we wouldn't add some photography-themed trays to the mix. One tray from Enlight Photo costs £10.

 

 

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A t-shirt

Click and Blossom have some photography-themed t-shirts for women and men, boys and girls starting at $25. I'd be happy adding quite a few of them to my wardrobe. Or you could choose from one of their cushions or bags.    

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Your image on a puzzle!

Puzzles Print will provide a 1,000-piece jigsaw with one of your images on it for £30. A 15-piece puzzle for a little person is £22, with a welter of sizes in between the two. There are magnetic options and collages, too.

If you're in the US, USAPhotoPuzzles offers a similar service.

 

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Foldio pop-up studio

The Foldio is a pop-up studio, made in miniature. The walls are white and there's a row of built-in LEDs to cast light on your subject. From as flat as a pancake it takes minutes to erect, held together with magnets.

$49 from Photojojo

 

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ONDU pinhole camera

Light and a box &mash; pinhole photography is photography at its most simple, and most enlightening. I fell in love with ONDU's hand-crafted wooden pinhole cameras earlier this year. Everyone should go back to the basics of the medium every now and again; this is perfect.

Starting from €90 from ONDU

 

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Lighting set-up

It's not fancy with flash, but for anyone wanting to start with artificial lighting, a basic set-up with some continuous lights and soft-boxes is a good place to start. Like this one for $135, or this for £150.

If you need something cheaper, this one is coming in at $55.

 

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Quadcopter

It seems impossible to move amongst a photography or tech blog or news site without stumbling across, or being swooped upon, by a remote-controlled aircraft carrying a camera. You can get started with aerial photography for $500 with a DJI Phantom FC40. Or you could spend as much as $3,000 for the new DJI Inspire 1 with its 4K camera.

 


Gifts for landscape photographers < < Holiday Shopping with Photocritic > > Books for photographers


The Photocritic Holiday Gift Guide: presents for landscape photographers

It's Day Five of the Photocritic Holiday Gift Guide. This means landscapes. We have suggestions for budding landscape photographers and a few treats for more hardened souls. 11276634243_b5ec67defd_z

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Wide-angle lens

Landscape photography and wide-angle lenses go together like strawberries and cream. While I've taken great pleasure using a Sigma 17-35mm ƒ/2.8-4.0, it's now out of production. However, the Tamron 10-24mm ƒ/3.5-4.5 is regarded as a great value-for money option that comes in a range of mounts. You can of course spend a whole lot more, or choose a prime instead of a zoom lens, but that's a good starting point.

Tamron 10-24mm ƒ/3.5-4.5 for Canon | Nikon | Pentax | Sony

Photographers with mirror-less cameras might want to consider the Samyang/Rokinon 12mm ƒ/2.0, which is cracking value for money and is available for plenty of different cameras.

Samyang/Rokinon 12mm ƒ/2.0 for Canon M | Fujifilm X | Micro 4/3 | Samsung NX | Sony E

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Tripod

Tripods suitable for landscape photography are awkwardly demanding. They need to be portable: doubtless you will be schlepping it and yourself up hill and down dale in search of shots. But simultaneously, they need to be sturdy and able to withstand wind, maybe rain, and uneven terrain.

We've picked out the Giottos Vitruvian at $200 for its height, weight, and strength. For something a little cheaper there's the Slik Pro 700DX.

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Filters

Securing vivid colours and correctly exposed landscape photos often relies on the judicious application of a filter across a lens: maybe a neutral density filter, perhaps a polarising filter. Filters need to be the right size for the lens and they come in various grades, for example you can choose between one and 12 stops—with everything in between—for a neutral density filter.

A filter kit containing a UV, polarising, and neutral density filter is a good place to start. We've picked out two, at different price points, which should fit on the Tamron lens we've suggested. But do double-check!

There's the Vivitar kit at just over $16 and the $48 Pro-Optic kit.

If you like trying things that are brand new and shiny, take a look at the filters just released by VU and Mefoto.

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Camera bag

You need a bag that's easy to schelp about all day. It needs to be weatherproof. You should be able to attach a tripod with the minimum of fuss. And of course your kit should fit snugly. We think that the CaseLogic DSB-103 (can't they think of memorable names?) is great value at a little under $70. It's a backpack; it has a detachable waterproof cover; tripod storage shouldn't interfere with bag access; and it'll fit a camera and four lenses.

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Waterproof cover

It's all very well your camera bag being waterproof and you looking fit to go to sea in a Force 5 gale, but if your camera isn't protected from the elements, then your landscape photography expedition will be a fruitless endeavour. Or possibly a very expensive one if your camera suffers from water damage. Pick up a rainhood. They don't cost $10 and they'll let you take photos in the most inclement of conditions.

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Remote shutter release

You have erected your tripod and ensured that it's stable on uneven terrain. You have composed your shot with a perfectly positioned horizon and delectably enticing leading lines. You have carefully calculated your exposure to capture the light and the intensity of the colours. And then you go an ruin it all by depressing the shutter button and introducing a fraction of camera-shake into the shot.

Use a remote release. Please.

You can pick up a Triggertrap mobile kit from £22. That affords a vast array of possibilities for camera-triggering. A basic remote release is about $10.

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Torch

There are so many smaller accessories that I could have included in this list which make the life of a landscape photographer easier and more pleasant, the article would have run to the length of a post-graduate degree-level essay. I've opted for a torch, however.

(Okay, seeing as you asked, the leading contenders for this entry included a pocket knife, gaffer tape, and a bubble level.)

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Weather-appropriate clothing

I loathe cold feet. They make me incontrovertibly miserable. They can also be a curse of landscape photography. Buy your landscape photographer loved one some warm, waterproof socks and you will win yourself many favours. Head to your nearest outdoor shop to see what they've got on offer.

A good pair of gloves goes a long way, too. I love MacWet gloves: warm, waterproof, but they don't compromise on grip.

You might also want to consider hats, scarves, jackets, and trousers. Even boots. Or for the warmer months: sunscreen and insect repellant.

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Book

For inspiration, look no further than Ansel Adams. But to improve your technique, I rather like Chris Gatcum's Landscape Photography: the Four Seasons.

 

Kendal Mint Cake

For those moments when an energy boost is required.


Gifts for high-speed photographers < < Holiday Shopping with Photocritic > > Gifts for photographers, big and small


The Photocritic Holiday Gift Guide: presents for high-speed photographers

Some of the most fun that you can have in the dark with your clothes still on is high-speed photography. Capture balloons going splat and china being smashed with a little help from a flash and some relatively inexpensive kit. For ayone who's looking to have a go, we've compiled a list of the essentials, from kit to subject-matter! 41Anb+4NQRL._SY355_

Flash

High speed photography is nothing without flash. For anyone who's intent on capturing popping balloons, smashing plates, and exploding sweeties, they're going to need some manually controlled fire power. However, take one look at the range of external light sources that can be hooked up to a camera and it's enough to leave you running for a darkened cave. TTL, guide numbers, sync speeds, remote triggering: there's a lot to take in.

You can spend a lot or a little on external flashes. The Yongnuo YN560 III sells for about £50 here in the UK or $70 in the US and is compatible with Canon, Nikon, Olympus, and Pentax cameras. There are other third-party makes to consider, for example Phottix, or you could look for a manufacturer-specific flash.

Don't forget to order a stand and mount for the light, too.

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A flash adapter

High-speed photography relies on hyper-fast flash to ensure the perfect exposure. For that, it's best to use a specialist flash adapter, which allows you to trigger the flash directly, rather than relying on your camera's triggering mechanism, which can take an eon in high-speed photography terms.

Triggertrap produces a flash adapter, priced £20, to use in conjunction with its mobile dongles, TT v1, and the forthcoming Ada.

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Triggertrap

If you decide to use the Triggertrap flash adapter, then you'll need a Triggertrap mobile kit to activate the flash using its sound trigger (or maybe one of its other sensors). Even if you don't go down the Triggertrap flash adapter route, having a Triggertrap to help you fire your camera, whether in blub mode or using one of its sensors, is mighty helpful for high-speed photography.

Triggertrap mobile kits start at £23. Don't forget to download the free app, too.

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Tripod

Heavens, we must sound like tripod bores, but a tripod is essential for high-speed photography work. High-speed photography means working in the dark, so look for something that's sturdy, just in case it's accidentally knocked. Have a look at Dave, from 3 Legged Thing.

 

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Balloons

Purveyors of high-speed photography will be in need of high-speed subjects. Pick up some packets of balloons to be used for popping—water-filled or otherwise—and capturing the moment they go bang!

These water balloons are bio-degradable, and coming in a pack of 100, are relatively cheap at $3.99. In the UK, these ones are £1.99.

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Crockery

Rootle around at jumble sales and in charity shops for chipped plates, cracked bowls, and ugly mugs that can be smashed with hammers or shattered by bullets without worrying that you're blowing the family's inheritance. You might want to pick up a hammer and a pair of safety goggle, too. Just in case.

 

A Lindt Chocolate Reindeer

Perfect for smashing, and then you get to eat it.


Gifts for smartphone photographers < < Holiday Shopping with Photocritic > > Gifts for landscape photographers


The Photocritic Holiday Gift Guide: presents for macro photographers

Mulled wine Day Two of the Photocritic Holiday Gift Guide takes us into the world of the the close-up, and macro photography. We've compiled a list of suggestions for people who might be starting out and want to give macro a try, or who've been at it a little while and might need some kit to help them along.

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Tripod

You might be wondering why anyone who already has a tripod might need a macro-specific version. It's not at all compulsory; however, for those photographers who are serious about their macro work, some tripods are preferable compared to others.

Something like a Velbon VS-443 D allows for an inverted centre column that brings the camera close to the ground, for example. Take a look here in the US and here in the UK.

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Extension tube

Instead of spending money on a dedicated macro lens, inserting an extension tube between camera and existing lens can have a similar effect. We understand that not everyone wants to have a go at making her or his own extension tube from a Pringles can, but thankfully commercially produced extension tubes are in abundance, manufactured by both the likes of Canon and Nikon as well as third parties.

You can pick them up in a variety of lengths and prices. Take a look.

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Lens

For anyone who's particularly in love with macro photography, a dedicated macro lens will be high up on her or his wish-list. You can spend anything from a couple of hundred dollars to several thousand. Some are zoom; many are prime. They're produced by both camera and third-party manufacturers. They come both with and without image stabilisation.

I love my Canon 100mm ƒ/2.8L and wouldn't be without it, but if you've not quite that much spend, take a look at these options.

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Reflector

All photography relies on light, but macro photography is especially light-hungry. To help manipulate and direct illumination precisely where it's needed, no macro photographer should be without a reflector. Reflectors come in a variety of sizes and colours, but we've picked out this 5-in-1 reflector that incluces gold, silver, white, and black surfaces as well as a diffuser to help evenly spread light across your subject, too.

In the US it's about $30; a similar reflector in the UK is about £30.

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Ring flash

The shadowless light produced by ring flashes makes them ideal for macro photography. They're also relatively simple to use and start out with very reasonable prices, too, which makes them ideal for both beginners or as gifts.

Take a look at this Bower ring flash priced at $70 as a starting point.

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Plamp

One never seems to have sufficient hands when it comes to macro photography. Or flowers have an inconvenient habit of swaying in the breeze creating nothing but blurry images. This is where a plamp comes in handy. Attach one end to your tripod (or anything sturdy and reasonably close) and use the other to secure a plant stem, angle a reflector, or hold a backdrop in place.

Try Wimberley direct in the US to find out where you can buy a plamp, or they're about £40 in the UK.

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Book

Haje's excellent Macro Photography Workshop is now only available as an e-book. If you'd rather purchase one of the dead-tree variety, take a look at Digital Macro and Close-up Photography by Ross Hoddinott.

 

A gingerbread house kit

Tasty and great for macro photography!


Gifts for beginners < < Holiday Shopping with Photocritic > > Gifts for smartphone photographers


The Photocritic Holiday Gift Guide: presents for beginners

We have received our first Christmas card here in the Bowker household. We're putting its early appearance down to a combination of my aunt's ruthless efficiency and her desire to ensure it made it from the Antipodes before, rather than after, Christmas. Despite the fact that I try my hardest to push Christmas from my mind until my birthday, which is at the beginning of December, has passed (Chanukah often falls over my birthday; it has a pass-card), it's probably about the right time to unveil this year's Photocritic Holiday Gift Guide. 11467984695_25afbebfd0_z

We've put together seven bundles of suggestions for all types of photographers, ranging in price and practicality. We're kicking things off with ideas for beginner photographers. Assuming that they're set up with a camera, any of these items should be on a newbie's wish-list.

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Tripod

No photographer should be without a tripod. I happen to have more than one. And a monopod. But a beginner doesn't need such an extensive collection. Just the one will do, and the Manfrotto G-2015 is excellent value for money at $30.

 

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Prime lens

The first lens I acquired for my first dSLR was a 50mm ƒ/1.8. That camera has long gone, but the lens remains in my camera bag. It's battered and bruised, but still my go-to lens. I wouldn't be without it, and neither should anyone with a camera.

Their affordability and ready availability, as well their photographic adeptness, makes them great gifts.

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Lens cleaning kit

Yes, it's terribly mundane, but it's also terribly useful. Don't let anyone out without a lens cleaning kit. You can pick up this nifty one, which includes a brush, blower, and microfibre cloth, for a little over $10.

 

 

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Camera bag

My camera bag criteria are extensive and demanding, but high up the list is for it not to look like a camera bag. Apart from having an obsession with bags that's marginally milder than my obsession with shoes, I'm in no way inclined to mark out the contents of my bag as being a desirable target for nefarious types. For a versatile, not-too-obviously-a-camera-bag-camera-bag, we'd recommend the Lowepro Urban Photo Sling 250. Right now, they're also cracking value for money, at about $45 in the US and £37 in the UK.

For something much more discreet, and definitely aimed at a mirror-less camera, have a look at the Cosyspeed system. Haje recently gave one a run for its money with very positive results.

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External hard drive

Twenty-plus megapixel images have a habit of eating up computer hard drive capacity as Team Photocritic does ice cream. Storing them on an external hard drive (or two or three for security purposes) is a far more practical solution. A portable terabyte of storage might not excite anyone, but the recipient will be grateful for it. If not immediately.

You should be able to pick up something in the $65 or £50 region.

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Editing suite

When you're shooting in JPEG, an all-singing and all-dancing editing suite might not seem a necesity. But it soon becomes one when you make the switch to Raw. And if you've a Raw-capable camera, why wouldn't you? It gives you unprecedented control over the appearance of your images. While I'm no fan of Adobe's Creative Cloud, it is still possible to purchase a stand-alone copy of Lightroom. And I do love me some Lightroom.

It's about $140 or £100.

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Book

Once you have the bare bones of a kit, the most important investment you can make to improve your photography is in yourself. That comprises books, courses, and time spent practising and evaluating your skills. We know we're biased, but we do believe that Haje's Ilex Introduction to Photography is a fabulous starting point.

Terry's Chocolate Orange

Because why ever not?


In the beginning < < Holiday Shopping with Photocritic > > Gifts for macro enthusiasts


Home Alone meets camera traps in this fun video

Every year, I find myself hiding away my annual-festivity-presents, and I do sometimes wonder... Is anyone going to start looking for them? The other day, on the bus, I found myself day-dreaming about what it might look like if you did a Home Alone-style set of camera traps.

So imagine my surprise when I was sent this video:

https://vimeo.com/111126307

Yep, that's right, that's those photographic wizards over at Triggertrap, using their Triggertrap Mobile app and dongle to capture a set of would-be Christmas present sleuths in action. Great idea, and I'll definitely be playing more with camera traps in the upcoming months!

Now if only Father Christmas would bring me one of their Triggertrap Mobile kits...

Christmas is coming: zoom bursting!

The twinkling lights and glittering decorations of our Christmas tree are always far too good a photographic opportunity to pass up. Last year they were my testing ground for a Pentax X-5 that I had to review. This year, I decided to play around with zoom bursting, to make it appear as if the lights are bursting out of the image. While the abstract motion effect of a zoom burst might look as if it's a pain to achieve, it actually isn't that hard. You definitely need a zoom lens on your camera and preferably a tripod; then you just need a bit of patience to get it right.

Compose your frame and focus on your subject. It's actually one occasion when centre-focusing really does work and doesn't leave your composition feeling flat and dull. But of course, it's whatever works for your photo. You'll probably find it easiest to zoom in as close as you can and then lock your focus or set it manually.

In order to achieve the motion effect you'll need a slow shutter speed, so that you have sufficient time to turn the zoom ring on your lens. If you're not confident using full manual control, do flick your camera into Shutter Priority (S or Tv) mode. For this series of photos I experimented with exposure times ranging from one-and-half seconds to ten seconds. The optimal speed seemed to be five seconds, but of course it is going to to vary depending on your subject.

Christmas is coming

I kept the aperture fairly small and the ISO relatively low. Being a long exposure shot, there was a strong possibility that it would come out over-exposed if I adhered precisely to the camera's meter, so I under-exposed by a stop-and-half. If I'd been shooting in Shutter Priority mode, I would have achieved the same effect by applying exposure compensation.

When you're ready, depress your shutter button, or use a remote release to help avoid camera shake, and then steadily zoom out throughout the course of the exposure. If you'd like to ensure a little more definition for your subject, don't begin to move the zoom ring immediately, but let it rest for about a quarter of the exposure time and then start to move it.

In most cases, you will probably want to zoom out to give the impression of the subject bursting forth from the image. I also played around with zooming in and rather liked the effect. It's all going to depend on what works for your photo.

Once you have the basics down, it'll be a case of playing around to see what looks best. Have fun!

Triggertrap Mobile's free! Whee!


Just for the holidays, the Triggertrap Mobile premium application is going to be available for free for both Android and iOS.

There's always been a free version of Triggertrap Mobile, offering a selection of the premium application's camera triggering options, but now anyone with an Android or Apple phone has access to all of Triggertrap's capabilities. These include multiple time-lapse features; sensor controls to trigger your camera using sound, motion, vibration, or metal; facial recognition; and star trail and HDR modes.

To make the most of Triggertrap with your SLR, rather than with your smartphone camera alone, you will need a dongle. This can be purchased for $24.99 from the Triggertrap store. But with the new wireless function, you won't necessarily need a cable. And don't forget to download the app from the App Store, or Google Play.

That's just made one Christmas present a bit cheaper!

Beware the fake Gorillapod


An actual real genuine Gorillapod, in Joby packaging

If you thought that Photokina was a buzz-fest of new cameras, lenses, and pick-pocketing, you can add brand-protection confrontations to the list, too. Joby, manufacturers of the bendy-legged Gorillapod, marched up to two manufacturers of fake Gorillapods and confiscated their imitation products and promotional materials.

To be in the safe side, they did do it with Photokina organisers and security staff. It's possibly not a great idea to do that sort of thing without some kind of official back up. Hoo-hahs and ruckuses aren't great for customer relations.

Now, though, Joby's UK marketing team has told customers to be on the look out for fake Gorillapods, especially in the run-up to Christmas. A real Gorillapod should carry the Joby logo, and whilst it might be more expensive than the fake, you get what you pay for. As Loraine Morgan, Joby's Senior Marketing Manager in the UK said: 'The quality of these products is poor and ultimately it is the consumer who suffers when they buy a product that does not deliver the function and reliability of a genuine Joby product.'

The fakes probably won't be made to such high standards, either in terms of quality or meeting safety standards. If you're thinking of buying a Gorillapod, you can always go direct to Joby.

Wanna join the competition fun?

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In the spirit of Christmas, and good cheer, and giving, and not being grouchy, and trying not to tear out our hair with too many things to do, we thought that we’d give you an extra week to submit your photos to our December competition. This means that you now have until 29 December to snap a gorgeous photobook-winning portrait.

For the full details of the competition, have a look at the competition page, and then submit your portraits to our Flickr pool for our perusal.

Have fun!

Our December photo competition

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Hello, one and all! It’s the first Wednesday of the month, which means that it’s time to start our photo competition. Once again, we have a groovy prize lined up for the winner! This month, we’d like you to submit a portrait for our contemplation and consideration. Black and white, or colour, it doesn’t matter. What we want is a picture of a person to make us go ‘Oooh!’

The competition opens today, that’s Wednesday 1 December, and runs until Wednesday 22 December in the spirit of Christmas, we extended it to 29 December 2010. Please submit your entries to the Small Aperture pool on Flickr.

The rules are the same as October’s and November’s, but I’ll reproduce them here for you. Again, Haje and I will aim to have the results to you within a week of the competition closing.

Good luck!

The Rules

  • If you decide to enter, you agree to The Rules.
  • You can’t have written for Small Aperture or be related to either me or Haje to enter.
  • One entry per person – so choose your best!
  • Entries need to be submitted to the right place, which is the Small Aperture Flickr group.
  • There’s a closing date for entries, so make sure you’ve submitted before then.
  • You have to own the copyright to your entry and be at liberty to submit it to a competition. Using other people’s photos is most uncool.
  • It probably goes without saying, but entries do need to be photographs. It’d be a bit of strange photo competition otherwise.
  • Don’t do anything icky – you know, be obscene or defame someone or sell your granny to get the photo.
  • We (that being me and Haje) get to choose the winner and we’ll do our best to do so within a week of the competition closing.
  • You get to keep all the rights to your images. We just want to be able to show off the winners (and maybe some honourable mentions) here on Small Aperture.
  • Entry is at your own risk. I can’t see us eating you or anything, but we can’t be responsible for anything that happens to you because you submit a photo to our competition.
  • We are allowed to change The Rules, or even suspend or end the competition, if we want or need to. Obviously we’ll try not to, but just so that you know.