An order of smartphone camera units suggests Amazon might be venturing into phones

Rumours of an Amazon mobile phone aren't exactly new. Speculation started when the Kindle was released; it heightened when the Kindle Fire came out; it has rumbled on since then with suggestions first that Foxconn might be manufacturing the handsets, and then HTC. Now it's being reported that Amazon has placed orders for smartphone compatible compact camera modules with Taiwanese manufacturer Primax Electronics, ready to launch a new device in the first half of 2014. I've not been able to dig up any more information on the camera unit specs, but even with a world-beating camera, any Amazon smartphone is going need to strong hold in the app market. Apart from an interface that not everyone gets along with, the Kindle Fire's primary shortfall is its lack of apps. If Amazon wants to compete in the mobile market, whatever the price of the device, this is something that will need to be addressed.

(Headsup to TechRadar)

SmugMug's Camera Awesome now available for Android

Riding high on the success of Camera Awesome for iOS, SmugMug has released Camera Awesome for Android. Camera Awesome lets you take control of your smartphone photography with creative editing features that includes special effects, pre-sets, filters, and frames. You can also share photos straight from the app, whizzing them to social networks or via email and text to family and friends.

So as to make Androind users feel loved and not left out because they had to wait, there are some Android-specific features for them to enjoy, too. These include:

• Shooting modes that include high-speed burst, panorama, and HDR
• Anti-shake video mode for video image stabilization
• Face recognition and tracking to automatically identify and track multiple faces in a shot to keep subjects in perfect focus
• ISO, White Balance, and Exposure: power users can choose from multiple white balance modes, exposure compensation values, and manually select ISO settings from 100 to 1600
• Resolution settings that allow you to shoot both photos and video in multiple resolutions
• Selective Editing that lets you add or erase a filter to particular areas of an image at a touch
• Sharing: in addition to sharing on Facebook, Twitter, Sinaweibo, Google+, Instagram, Photobucket, Picasa, Tumblr, YouTube and Flickr, you can now share to any other services via supporting apps installed on a device

Camera Awesome costs £1.87 on the UK Google Play store or $2.99 in the US. If you'd like the iOS version, you can find it in the App Store here.

There's a Snapseed update in town, but it's not for everyone

Snapseed has released an update to its iOS and Android apps, bringing two new features to its editing suite. You can now apply an HDR effect to your photos using the HDR scape filter and in the Tune Image function there is now the ability to adjust shadows with a dedicated shadows slider. BUT if you're still running iOS 5 or 6 (some people are) please don't update yet. There's a bug that is presenting problems with saving or sharing images when you're running these versions. The team behind Snapseed is aware of this and they're working on an update to address it.

Update! If you're an iOS 5 or 6 user, it's now safe to download. HDR-away.

Review: Photoristic HD iPad editing app

When I first downloaded Photoristic HD to have a go at some editing on an iPad, I was expecting an all-round editing package that would be great for my parents to use to make adjustments to their photos on their iPad. They use a point-and-shoot, record everything in JPEG, my mother has a proclivity to take wonky photos, and my father doesn't understand the concept of 'getting closer' no matter how much I try to impress it upon him. They need a simple but comprehensive editing app. Photoristic HD combines general editing functions (white balance, exposure, contrast, highlights, shadows, vibrance, saturation) with advanced colour adjustments and a barrel of filters. It can process images of upto 20 megapixel resolution, and saving and sharing is easy. It sounded promising. So much for my expectations. This was not an app that felt I could present to my parents to help them make their photos look better. It wouldn't meet their needs. But when I got past this disappointment, I realised that Photoristic HD offers something different for iPad editing and it might not be all that bad.

Photoristic is easy to use: you swipe left or right to adjust the values of whichever function you've selected, be it the like of contrast, shadows, or highlights underneath the balance tab, or one of the eight colours sitting beneath the hue, saturation, or luminance tabs. You can convert to black and white with the toggle of a button and you can apply one of a huge selection of filters—black and white options, selective colour choices, and colour filters—with two taps.

I'm not a frequent filter-fyer and I actually found many of Photoristic's too harsh or intense for my tastes. I wouldn't want to let my parents loose with these. All their photos would come out too brash, too sharp, too in-your-face. Photoristic does, however, let you save your own presets, which is moving well beyond the realm of my parents' use, but does present it in a different light.

This gives you the chance to combine its split tone function, colour controls, and the adjustments in the balance tab to create your own effects. Now that I've taken a step back, I wouldn't hesitate to name Photoristic's fine colour control and ability to save presets as its most valuable feature. No, it isn't an all-round editing package; it's something else. I was able to create my own cross-processed effects or add a bit of golden hour magic to a photo taken nowhen near sunset or sunrise. And I was able to save these as presets to apply to any photo I process through the app.

There are buttons that allow you to sequentially undo your previous edits or compare your current version to your original image. When you're content with your handiwork you can save your image to your photo library or Dropbox, email it onwards, send it to print, or share it to Facebook or Twitter.

Should you get a bit stuck, the help button is towards the top left corner.

The most critical omission that prevents Photoristic from being a comprehensive editing package is a crop and rotate feature. With every photo that I put through the app I felt frustrated that I was unable to straighten it or slice off a few extraneous pixels. And my parents, with their skewed horizons and distant subjects, definitely need it. It's all very well being able to bring out the blue of a sky, tone down the red of someone's nail polish, or help negate a green cast, but crop and rotate is one of the basic functions that we rely on in an editing suite.

I was so surprised by the omission that I emailed the developers to check that I hadn't missed it anywhere. They confirmed that there isn't a crop and rotate function yet, but it is expected in a future iteration.

When you realise that Photoristic isn't a basic editing app but instead offers more sophiscated controls to adjust colour and create your own filters for your photos, it takes on a different complexion. If you're looking for an iPad app to let you take control of your photos' colour effects and filters, then do consider downloading Photoristic. It's £2.99 in the UK and $4.99 in the US.

I shan't be showing my parents how to use it.

(All photos courtesy of my parents.)

Are you seeing Dubble?

The notion of multiple exposure photography is familiar: take a photo and then re-expose the same frame, or merge together two or more digital photos, to create a fun, or a ghostly, or a creative image. It's something that photographers have been doing since the dawn of photography, sometimes deliberately and sometimes accidentally, and whether you choose to shoot double exposures with your Holga or engage the multiple exposure setting on your Canon 6D, it's not that hard. But what about turning double exposures into something even more fun, very easy, and incredibly social? This is precisely what Adam Scott, Angelo Semeraro, Ben Joyce, and Uldis Pirags are aiming to do with their app Dubble.

You take a photo. You upload it to Dubble and share a few details about it. The Dubble algorithms then work their binary wonder and combine your photo with another from the Dubble community. Bingo! A socially, randomly generated double exposure. You and your Dubble counterpart can then both share your joint creation and take joint credit for it on Facebook, Flickr, and Twitter. By the end of the year there should be Instagram and Tumblr integration, too.

The Dubble community started up in the summer of 2013, with 40 family and friends of the founders, across 18 countries, taking and sharing their photos to create Dubbles. They've merged Spanish music festivals with the family pet, a flamingo with a cityscape, and a fairground carousel with a French beach. Now, the iOS app is publicly available for download and dubbling fun.

Adam Scott, Dubble's CEO is understandably excited about the app: 'We’ve worked really hard to develop an app that we hope will tap into the fantastic social and creative potential of collaborative multi-exposure digital blending with a complete stranger. Our ambition is to become the most exciting collaborative photography community in the world.'

I think I might go give this one a try!

Flickr's new automatic features: upload and straighten

Flickr has taken another step along its path to the epiphany that the future is mobile by introducing an automatic upload feature to its iOS app. You do have to be using iOS 7, though. It'll upload your iPhone images to Flickr and keep them private until you've edited them and are ready to share them with the world. Or you could use it as a private archive of your naughty selfies. Naturally this comes a week after I've made other arrangements for my iPhone image library and deleted approximately 1,000 photos from my camera roll. (Yes, okay, I'm refusing to update to iOS 7 for battery life reasons, but that's by-the-by.)

I was impressed with the Flickr app's straighten feature when it was overhauled recently (not so much the crop feature), but it's now added an automatic straighten function. Take a photo, open the crop/straighten function, select straighten, et voila! If you're not happy with Flickr's straightening prowess, you can put your own powers to the test and over-ride it.

So it's not all about automation, thankfully.

What's that you say Adobe? You've updated Photoshop Express for iOS?

Amongst the bundle of app updates waiting for me this morning there was one from Adobe, for Photoshop Express. I noticed that the icon had altered, which suggested that it was a more significant update than a few bug fixes, and I wasn't wrong. There's a new look and feel to the app, as well as integration with Adobe Revel that allows you to store and share your images across the Cloud. I've already been having an explore. There are now 22 filters to choose from, ranging from a chilly 'Winter' effect, to a soft 'Dream' look, via the sepia-toned 'Memory' filter. I would say that the choice is overwhelming, but the filters take so long to process that I gave up trying to apply them and stuck with natural. The crop function provides the usual suspects of constraints and straighten, as well as the capability to rotate an image or to flip it along its horizontal or vertical axis.

In the adjustments tab you're given control over contrast, clarity, exposure, highlights, shadows, temperature, tint, and vibrance. There's also a noise adjustment, but that's a paid-for feature. I found the adjustment controls on the previous version of Photoshop Express difficult to use, with features paired up beneath a tab and one of those controlled by a vertical swipe and the other by a horizontal swipe. It was far too easy to adjust one when you wanted to change the other. The new interface dispenses with the dual-adjustment system, each adjustment is made individually using a slider and some have an auto-adjustment feature. The new sliders are a definite improvement, but they could benefit from some refinement. There's no visual indication (for example a blue line) of how far away from the mid-point you've moved the slider apart from a pop-up numerical value and the mid-point itself isn't marked. Making alterations is, therefore, a little crude.

Just as the filters are slow to render, so are the adjustments. Changes don't happen in real-time as you move your finger along the slider, making it difficult to gauge your alterations. I'm sure that more practice will yield more accurate results, but when I'm already using an app that is responsive, it doesn't inspire me to make the switch to Photoshop Express.

As well as the auto-enhance button, there's a red eye removal option, and the choice of 20 different frames for your pictures. Again, they're very slow to render and they don't encourage me to try adding a frame to my images.

My initial impressions are of a very capable editing app, and to be fair you would expect nothing less from Adobe, that provides a welcome improvement to its interface and offers some very useful features (I'm especially taken by independent highlights and shadows adjustments). However, it is excruciatingly slow, which makes me hesitant to move away from my current favoured edited solutions. If Adobe were to do something about the app's pace, I might well be tempted. It is free, though, so take a look and see what you think.

That's Photoshop and Flickr who've both upped their antes in the past few weeks. Snapseed, I think it's your move.

(I've no idea what the Android update is like, or even if there is one. If anyone wants to share - please do!)

Wander leads to Planett, but can these apps go any further?

In December 2011 I took a look at an app called Wander (no, not that Wander; a different one) that aimed to let you explore the world through images. It was a bit like having technologically-based pen-pal. Wander allowed you to connect with people in any one of 80 countries and you could share your lunch, your journey to work, and what you do of an evening to get to know each other and where you live, through pictures. It seemed like a fairly neat idea that allowed you to explore and learn about new places while sharing yours. It didn't, however, catch on as the developers had hoped and Wander closed down on 16 August owing to financial difficulties.

Undeterred, some of Wander's original developers have gone on to launch Planett, a Wander-esque app that allows users to discover new places and people by featuring photos tagged with 'missions' from all over the world and organising them into 'city feeds'. Wander's one-to-one element has had to take a back seat for now, but the Planett team is hoping that it can be introduced soon.

I'm impressed by the Planett team's tenacity, but I'm left with some nagging doubts about the app's viability. If it failed on financial grounds the first time around, how will the revamped version fare? There are two underpinning factors here: either Wander didn't fulfil a gap in the market and wasn't popular with potential users; or the team weren't able to monetise it effectively.

Rehashing an app that people didn't want to engage with won't necessarily make it any more popular. If that's the case, then Planett is, sadly, already on a hiding-to-nothing.

Not being able to monetise the app effectively could have been because the developers simply didn't know how to do it. They couldn't see a way to make the app economically lucrative and therefore didn't. That's fine if you're able to bankroll an app as a personal project, but not if you need to transform it into a self-sustaining business. Given that Wander closed owing to financial shortcomings, it suggests that it didn't fall into the category of a developer's part-time project. Seeing the way that Wander went doesn't fill me with confidence that Planett can be maintained as a developer's toy, either. If that were the case, then Wander would still be meandering along.

I sincerely hope that the Planett team hasn't sauntered over from Wander thinking that they can monetise it 'somehow' without having thought it through. Attempting the same scheme but expecting a different outcome is somewhere between futile and fanciful. What I would like to know then is what's the plan, Planett? I have asked Planett's developers to elaborate on the app's monetisation potential, but I'm yet to receive response. Without one, I can only anticipate Planett will head towards the same pale blue yonder of Wander.

Alternatively, the Wander team did attempt to monetise their app, but it didn't raise enough revenue. That doesn't bode well for Planett, either: it casts doubt on the monetisation potential of the app. Sure, Planett might have a different vision to Wander, but there's no evidence of it yet. Planett's developers need to consider if their app is something that plugs a gap in the market and if people will be prepared to pay for it, somehow.

Planett's selling points are that it allows you to explore your world, you can follow 'cool people' who share photos from places you want to visit, you can visit cities pictorially and explore them 'at ground level', and it provides you with photo missions to inspire you and get your creative juices flowing. As you share more images of where you live, you can unlock more images uploaded by other people.

Is this enough to tempt people to join and to share their photos? After all, you can already explore the world photographically using geolocation information with Flickr, Instagram, and EyeEm, and you can follow heaps of people with varying degrees of coolness on all three of those sites. EyeEm has the photo missions element built in, too. The real kicker for Planett is that these examples are already well-established communities with billions of photos, and that they're free. Without something to set it apart, Planett is facing an uphill struggle.

Wander's unique selling point was the one-on-one relationships that it fostered. Planett is hoping to adopt this feature but it hasn't got there yet. Without it, or another appealing and original facet, Planett is trying to establish itself amongst already settled groups that might not be willing to shift (or at least join).

There are billions of photos on the Intergoogles and hundreds, if not thousands, of different ways of sharing them. But if a new kid on the block is going to survive against already well-established communities and ensure its sustainability, it has to know to whom it is appealing, and how. Does Planett?