Technology Explained, Practice
Daniela Bowker
Resolution and pixels and image quality! Oh my! ...

When you hear the term 'high-res' thrown about with such abandon when it comes to images for web use, have you ever stopped to think just how big or how high quality and image meant for the web needs to be?

Resolution and pixels and image quality! Oh my! Saving images for the web
Feature Articles, Photography Theory
Haje Jan Kamps
Low-contrast photographs don't have to be boring

There's an assumption that high-contrast images are more dynamic, more compelling, more inviting. Have a go at some low-contrast photography. You might surprise yourself with the results.

Low-contrast photographs don't have to be boring
Feature Articles, Theory
Daniela Bowker
Seeking balance in your photos

Balance doesn't mean symmetry; it means an internal consistency and tension within your photos. And it's a vital element of composition. 

Seeking balance in your photos
Feature Articles, Photography Theory
Haje Jan Kamps
Training your photographic luck

Great photos might be down to a little bit of luck, but most of that 'luck' you make yourself. Don't believe us? Read on...

Training your photographic luck
Feature Articles, Practice
Daniela Bowker
The ups and downs and ins and outs of ...

Photographing buildings doesn't have to mean wide-angle lenses and fretting about correcting for the keystone effect. Any lens, and angle. Don't believe us? Let us show you!

The ups and downs and ins and outs of photographing buildings

touchscreen

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Focus and re-focus after the event with Lytro

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I get asked what I think the next big thing in photography will be, or what direction technology will take, quite a bit. It’s one of those things that you can’t really answer. Not until you’re actually living in that imagined future does it seem possible. So if you’d asked me a few years ago if a camera that would allow you to focus and re-focus your image as much as you wanted to after you’d captured it was on the cards, I’d've probably shrugged my shoulders. But it’s here now. It’s the Lytro.  

The idea behind the Lytro is that it captures all of the light rays in a given scene. According to Lytro, it captures a scene in four dimensions by recording the colour, intensity, and the direction of every ray of light that hits the light field sensor in the camera. And what does it do with all this information? It processes it using a light field engine so that you can re-focus pictures directly on the camera. If you want to share your images on-line, this light field engine will travel will them, allowing anyone to interact with them from any device, from mobile phones to desktop computers. No special software required.

I’ve had a play with some sample images: you click on the area where you want to focus and… tah-daa!… the focus will shift there in a second or so. It’s simple and quite good fun. You can mess around there, too.

Despite the technology involved, Lytro wants to keep their cameras sleek and simple. There are just two buttons on the camera – on/off and the shutter – and everything else is achieved through a touchscreen. As for the design, I can’t help but think it looks a bit like something I would’ve made using mirrors and cardboard when I was seven, but perhaps I was weirdly ahead of my time. Still, it’s small, light, and comes in blue, red, or graphite.

The lens has a constant aperture of f/2.0 and an 8× optical zoom. With no need to focus, it’s pretty speedy; and as it captures all of the available light in a scene, it should have pretty good low-light capability, too.

The Lytro comes in two sizes, an 8GB model in blue or graphite that stores 350 photos, or a 16GB version in red that holds 750 images. They cost $399 and $499 respectively. If you’re one of Lytro’s first customers, they'll provide you with free storage for your light field images uploaded to Lytro.com, too. They should be shipping come the new year.

You can learn more from Lytro.