Technology Explained, Practice
Daniela Bowker
Resolution and pixels and image quality! Oh my! ...

When you hear the term 'high-res' thrown about with such abandon when it comes to images for web use, have you ever stopped to think just how big or how high quality and image meant for the web needs to be?

Resolution and pixels and image quality! Oh my! Saving images for the web
Feature Articles, Photography Theory
Haje Jan Kamps
Low-contrast photographs don't have to be boring

There's an assumption that high-contrast images are more dynamic, more compelling, more inviting. Have a go at some low-contrast photography. You might surprise yourself with the results.

Low-contrast photographs don't have to be boring
Feature Articles, Theory
Daniela Bowker
Seeking balance in your photos

Balance doesn't mean symmetry; it means an internal consistency and tension within your photos. And it's a vital element of composition. 

Seeking balance in your photos
Feature Articles, Photography Theory
Haje Jan Kamps
Training your photographic luck

Great photos might be down to a little bit of luck, but most of that 'luck' you make yourself. Don't believe us? Read on...

Training your photographic luck
Feature Articles, Practice
Daniela Bowker
The ups and downs and ins and outs of ...

Photographing buildings doesn't have to mean wide-angle lenses and fretting about correcting for the keystone effect. Any lens, and angle. Don't believe us? Let us show you!

The ups and downs and ins and outs of photographing buildings

ultimate guide

HDR: Making impossible shots possible


If you've ever been faced with photography situations with extreme contrasts, you know that basically, you're out of luck. Say, for example, you are taking a photo out of the door of a building.

You have to make a hard choice; are you going to expose for the outdoors? If so, you end up with something like this:

img_2510.jpg

... And your indoors are completely useless and dark.

Alternatively, you can decide to expose for the light inside the building:

img_2514.jpg

But clearly, that's hardly going to do much good either.

The solution is HDR photography, where you combine a series of exposures:

hdr.jpg

Into one single exposure:

img_2508_hdr.jpg

Okay, so I'm more than happy to admit that this quick example (shot with the Triggertrap Mobile Long Exposure HDR mode using my iPhone to control my Canon EOS 550D - that was what I was testing when I did this one) is hardly the finest example of creative HDR ever created - in fact, it's a distinctly rubbish picture. Nonetheless, it reminded me how powerful HDR can be, and how it completely changes the game for what is possible in photography.

Time for a week-end project?

So, If you've never given it a go before, make it your week-end project: You can easily do a manual HDR set by changing the settings on your camera between each shot; or use the Automatic Bracketing feature built into most cameras to get a 3-shot bracketed set.

And if that isn't enough for you (for example, if you're instead itching to do a 13-exposure HDR for some crazy reason), there are automated solutions that'll do the exposures for you, including Triggertrap Mobile or Promote.

For an in-depth guide on HDR photography, check out the Pixiq Ultimate Guide to HDR Photography!