Technology Explained, Practice
Daniela Bowker
Resolution and pixels and image quality! Oh my! ...

When you hear the term 'high-res' thrown about with such abandon when it comes to images for web use, have you ever stopped to think just how big or how high quality and image meant for the web needs to be?

Resolution and pixels and image quality! Oh my! Saving images for the web
Feature Articles, Photography Theory
Haje Jan Kamps
Low-contrast photographs don't have to be boring

There's an assumption that high-contrast images are more dynamic, more compelling, more inviting. Have a go at some low-contrast photography. You might surprise yourself with the results.

Low-contrast photographs don't have to be boring
Feature Articles, Theory
Daniela Bowker
Seeking balance in your photos

Balance doesn't mean symmetry; it means an internal consistency and tension within your photos. And it's a vital element of composition. 

Seeking balance in your photos
Feature Articles, Photography Theory
Haje Jan Kamps
Training your photographic luck

Great photos might be down to a little bit of luck, but most of that 'luck' you make yourself. Don't believe us? Read on...

Training your photographic luck
Feature Articles, Practice
Daniela Bowker
The ups and downs and ins and outs of ...

Photographing buildings doesn't have to mean wide-angle lenses and fretting about correcting for the keystone effect. Any lens, and angle. Don't believe us? Let us show you!

The ups and downs and ins and outs of photographing buildings

Paramount Pictures

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Paramount Pictures makes the digital-only distribution switch in the US

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According to a report in the Los Angeles Times published over the weekend, Paramount Pictures has announced that it has ceased to distribute films in analogue format in the US. Anchorman 2: The Legend Continues was its final 35mm format release and The Wolf of Wall Street has been a solely digital release. This transition to digital-only distribution is hardly unexpected. Both Disney and 20th Century Fox have communicated the expectation of digital-only content within the next few years to cinemas. Now that Paramount has set the ball rolling, it could happen sooner rather than later.

What of the impact on cinemas? First of all, this distribution decision applies only to US cinemas. In regions where analogue projection is still the norm, 35mm imprints will still be sent. Second, about 92% of cinemas in the US are capable of projecting digitally distributed content. For the remaining 8%, the cost of replacing their analogue projectors with digital projectors will be in the region of $70,000 per unit. For some smaller community-led cinemas, this could sound their death-knell.

At roughly $2,000 to produce a 35mm print and $100 for a digital print, studios' preference for digital format is obvious. Even if it does leave those who favour analogue prints reeling.

(Headsup to Engadget)