Photocritic loves ice cream.

Getting the most out of a compact digital

previous article: next article:

Picture-25.jpgDaniel posted a blog entry with a lot of valuable tips about shooting with the limitations of using a digital compact camera – most of it is common sense, but if you’ve never thought about any of it, it’s definitely worth a quick read.

Some of the points he brings up is using a low ISO to reduce noise, using custom white balance, using program mode, getting in close, and take a lot of pictures, to increase the chances of getting the shot.

The man’s got a lot of great points, although for one of them, I don’t quite agree:

When your camera is fully zoomed out, it is at wide angle and will cause some distortion in your subject. If you are taking portraits, you definitely will want to step back and zoom in so that your kid, or spouse, does not look like a chipmunk.

While I am happy to admit that most compacts aren’t great for barrel and pincushion distortion, it’s a minor problem, compared to light loss. Cheap lenses, and especially those in digital compacts, lose an incredible amount of light once you start zooming in.

In fact, my Canon Digital Ixus S500 (also known as the Digital Elph in the US) has a f/2.8-4.9 lens over a 3x zoom. That means that while you get f/2.8 at full wide-angle, you lose nearly two stops of light just by zooming in. Most of the time, it ain’t worth it – leave your camera fully zoomed out, and rather crop the image to size!

Money made from this advert will be invested in prime lenses.
This post, "Getting the most out of a compact digital", is part of these categories: All articles, was posted by Haje Jan Kamps and saw the light of day on the 13th of April 2006. I hope you liked it.

Insights, suggestions and comments

By shackDan on April 13th, 2006 (permalink)

Hey, thanks for the reference. You are quite right about the light loss, and it generally meant that I had to take portaits in the sun, or at least on a bright day.

By evin on April 14th, 2006 (permalink)

Is it really better to crop than zoom on a 3x zoom with about 1.6 stops of light loss? When zoomed out all the way, you get 3 times as much light, but you’re only interested in the middle of the picture (1/9th of the frame), so you end up with about a third as much light being used.

Do an experiment: take the picture zoomed out all the way, at ISO 100. Take the same picture zoomed in all the way, at ISO 400 (to more than compensate for the light loss). Crop and enlarge the ISO 100 picture to the size of the ISO 400 picture. Optionally perform some noise reduction on the ISO 400 picture. Which looks better?

By Haje Jan Kamps on April 14th, 2006 (permalink)

Evin: Very good point. Personally, I only photograph for the web nowadays, so I hardly ever need the resolution.

It doesn’t quite change the fact that “if the picture ain’t good enough, you ain’t close enough” :)

 

Share your wisdom



Go on, click the button

So, the 550D and the 50D cost practically the same, and have different advantages. Which one would you buy?
View Results

Get notified!

If you want to get a notification whenever Photocritic makes a new post, fill in the form below!

Email Address:

Powered by Feed My Inbox

I love this on Flickr

On the Book of Face

Photocritic on Facebook

It goes 'tweet'

  • • Seems a bit pointless to me, but Canon is buying the .canon top level domain: http://is.gd/aLJEp . Why? (link)
  • • That goes in the same category as ExpertSexChange.com and PsychoTheRapist.com, I suppose. (link)
  • • ferrethandjobs.com is actually a completely SFW domain, despite the hillarious URL. I'm enough of a geek to enjoy that. (link)
  • • RT @petemc: You can use my discount code when you buy Photomatix and save 15%. Code is: VanillaDays. #hdr #photography http://bit.ly/RvywC (link)
  • • Microchip? That's a funny name for a dog. http://flic.kr/p/7L9Ei8 #Flickr (link)
  • • Magnificent MC: the 1960 BMW R69S. A beautiful gallery. http://bit.ly/dsLINa /via @BikeEXIF (link)
  • follow @photocritic on Twitter!

My books

Macro Photography Photo Workshop

Macro Photography Photo Workshop by Haje Jan Kamps My day job, if it can be called that, is being a writer. I've got one book out there so far and it's awesome, so go ahead and buy a copy! It's available from Amazon.com, Amazon.co.uk, and most decent-sized bookshops, too!

To find out more, check out this post! If you want to know more about the 'being a writer' thing, check this site out.

Put another dime in the jukebox

Put another dime in the jukebox In front of you, five hyperactive men with guitars, drums, and microphones. Behind you, five thousand fans. In your hands, a camera... You're going to need more than just a little bit of good luck to pull this one off. That's where this book comes in.

With nearly a hundred fantastic gig photos, and a ton of info about how to get involved in taking photos like this yourself, you can't go wrong. Buy this book. Grab your camera. Good luck.

Street Photography: London

Street Photography: London Take a Canon EOS 450D. Attach a Canon 50mm f/1.4 lens. Hit the streets of London. See what happens.

Sounds simple - but the results are anything but. Moving, intense, and personal, Street Photography: London is a great collection of the people of London, their passions, and their dreams. Look for yourself!


About

This site is all about learning more about photography, from the incredibly insightful (rarely) to the dreadfully mundane (also, hopefully rarely) via just about everything in between.

If this website seems a little whimsical and random, then that's because the author of this blog, who for the occasion is confusing himself by writing about himself in the third person, is slightly whimsical and random himself.

Enjoy!

- Haje