Review: Understanding Shutter Speed

July 11th, 2008

“Photography has to be enjoyed by looking at pictures”, my arts teacher used to say, back when I still listened to teachers. I agree with the man, but I’m also a geek, and I love understanding things. I’m the kind of guy who enjoys knowing why the engine makes more noise and the car goes faster when I press the fast pedal on a car. I like to understand how a satellite works, and why it can make movies appear on my TV. And I love to understand how a photograph works.

There’s been a lot of books written about photography throughout the years (I had a stab at it myself…), but to be perfectly honest with you, a lot of them are complete and utter rubbish. Read the rest of the article »

8 steps to sharper photos

June 9th, 2008

So you’ve finally graduated from taking photos with a compact, and have your grubby little paws on a fantastic digital single-lens reflex. All good and well, but why don’t your pictures come out as fantastic as some of the ones you see on Flickr? Surely, they’re using the same camera as you - where are you going wrong?

That was essentially what Pieter asked me about this week. So, without further ado, 8 ways to make your photos jump off the screen. Read the rest of the article »

How exposure works

May 1st, 2008

To understand exposure in photographical terms, EV is probably the single most important number you will have to understand, to understand the theory behind the art of photography. This goes from your tiniest, least significant compact camera, to your cock-on-the-table style medium format camera with a digital back. Read the rest of the article »

Sharpening photos in the darkroom

April 18th, 2008

In the past, we’ve covered why it is important to sharpen your photos, and how you can use the Unsharp Mask tool in Photoshop to make sure your photos look their best.

I am a firm believer of understanding how things are done manually, however. If you are to take shortcuts, you have to know the long road to get there first. So… If you have a darkroom, how can you sharpen your images without letting the film go anywhere near a computer?

Here’s how… Read the rest of the article »

Teaching yourself photography

April 16th, 2008

Imagine, for a second, that you are a young person with a camera. There are other cameras in the world around you, and there are people who use those cameras, too, but nobody really knows what they are doing, nobody can teach you anything you don’t already know, and the only tool you have in the world is the internet. All hope is lost … Or is it?

I was recently speaking to Elisa Longhitano, who found herself in the same situation. As she was telling me about how she was teaching herself photography, I found myself smiling, and wishing I had access to the internet back when I was learning. Either way, Elisa’s story is a lovely reminder of the fact that all you need to do to learn the dark (well, technically, the perfectly gradient) art of photography, is to be curious, and just that little bit inventive… Read the rest of the article »

The dirty tricks of food photographers

February 28th, 2008

food-photo-thumb.jpgWe’ve all seen the seductive photos of vividly colorful fresh vegetables, sumptuous cherry pies, and golden-brown roasted turkeys. These pictures, often found in glossy cookbooks and magazines, make us believe that if we follow the recipe we, too, can create such delectable dishes. And many of us can. Well, almost.

A peek behind the kitchen door would reveal the sometimes bizarre tools of the food photography trade that transform fresh baked brownies and juicy crown roasts into science fair projects masquerading as culinary delights. Food is among the more difficult of subjects for photographers. The laws of nature guarantee it: Hot foods cool, moist foods dry out, frozen foods melt especially fast under hot lights, vegetables wilt, and fruit turns brown. But determined food photographers rise to these challenges with their extraordinarily inventive bag of tricks.

And yes, that includes motor oil, spray deodorant and and brown shoe polish… Read the rest of the article »

The death of photo journalism

February 21st, 2008

“From this day, the painting is dead”, Paul Delaroche exclaimed when he saw the first Daguerreotype in 1839. He turned out to be wrong about the bit about the art of painting being dead, but photography certainly had a profound impact on our way of life.

As a matter of fact, as early as in 1900, it was said that “the daily press, advertisements, posters, scientific literature, the popular lecture, decoration, and now the kinetograph, not to speak of the coming colored photography, have all contributed what is probably slowly coming to be a new mode of pictorial thought” (Goldberg 1991, p16) Read the rest of the article »

Lens Flare - and how to avoid it

February 11th, 2008

lensflare-thumb.jpgI get a lot of people sending me images with ‘mysterious’ problems, and I figured it was only fair if I run a series of articles about how you can alleviate these problems. The most frequent problem is actually a lens-flare related problem, and there seems to be some confusion as to what lens flare actually is.

I suppose the first thing we should discuss is just what lens flare actually is. Most commonly seen in photographs, lens flare can appear as bright circles, smears of light or glimmering lines.

On some occasions, it can even appear as a thin film over the entire picture that makes the image itself lighter. Read the rest of the article »

When less is more

September 1st, 2007

jasondeehr-thumb.jpgIt can often be incredibly tempting to try and fit more information into a photograph. Understandably so - wherever you turn, you find a barrage of information. Minimalism truly is a lost art in photography, and you’d be surprised to find that it’s actually quite difficult to get right.

In this photo critique, I am doing things in a slightly new way, and I’m cherrypicking some of the best photos that have been submitted to me over the past couple of months. Together, we’ll explore photographic minimalism, and how you can make hellastrong photos with less. Read the rest of the article »

The cameras of the future

August 12th, 2007

nikon1.jpgI’ve done a lot of thinking recently, about what’s next for photography.

Think about it - while the manufacturers launch new cameras every couple of months, there hasn’t been a single fundamental change in the art of photography since the mid-1960s, when through-the-lens lightmetering on SLR cameras meant that you didn’t have to have a separate light meter anymore.

So, I wonder, what’s next? Read the rest of the article »