Archive for Featured Articles

Visualising studio lighting

Once you feel you've started to get the knack of pointing your camera at things and clicking the button, it's time to start taking control of all the lighting in the scene. But, as it turns out, that's bloody tricky. I keep having to explain how to 'visualise' different types of lighting to people, and it turns out that it's rather difficult - not because what I'm doing is particularly advanced, but because sometimes, it's just tricky to make the connection between what is happening in a photo, lighting-wise, and how the lights are set up.

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Backing up your photos

As photographers, we spend a lot of time thinking about how to take the most beautiful photos ever. How often do you back them up, though...? If you have to think for more than a fraction of a second to answer that question, the real answer is 'not often enough' Here's a couple of tips to poke you in the right direction.

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Darkening a room by adding light

I was doing a photo shoot a few days ago, where I was photographing a lemon suspended from a piece of thread. I wanted to make it look as if it was hovering in pitch darkness. Upon seeing the results, someone asked me an interesting question: Isn't it difficult to focus your camera in the dark? Well, no, because the photo was taken in the daytime, with my lights on. So, how come does it look like it was taken at night? That, my friends, is the power of contrast in lighting. You have to remember that you don't need a dark room in order to make a background completely dark - you just need to ensure that your foreground is significantly brighter than the ambient light. Here's how and why...

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Why I don’t need an expensive camera.

On My Flickr Feed, I some times get questions about my use of camera. "Why", it is asked, "do you shoot with a 450D"? I understand the question completely. When I was photographing professionally, I wouldn't have dreamed of using the then-bottom-level camera (the 300D, at the time, I think) even as my back-up camera. The 10D (and later the 20D and 30D) was my the back-up and second-lens camera to my 1D. So how did I end up photographing with the bottom-of-the-range model from Canon only a few short years later?

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In photography, rules aren’t laws.

The internet is absolutely full of guides about things you should and shouldn't do to take 'good photos'. Don't over-expose. Remember the rule of thirds. Don't cut people's heads off. Watch your background. Use a shallow DOF in portraits to throw the backgrounds out of focus. 3-point lighting for portraiture, etc. A lot of us just take all these rules for given, as if they are hard-and-fast rules that you have to stick to, because if you don't, you'll fail as a photographer. Break these rules, and you won't take a good photo in your life. Your cat will die, your children will hate you, and your significant other will divorce you.

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Building a laser trigger for your camera

There are loads of reasons for why you could want to trigger your camera remotely - to avoid camera shake, for example, or to be able to take a photograph of yourself without having to rely on a timer. If you want to build more ambitious projects, however, you may have to consider getting more exotic. I recently built a little device which triggers my camera whenever a laser beam is broken - It's about as simple an electronics project as you can pull off, but it's going to form the base of a couple of other cool projects I'll be working on going forward (stay tuned...), so I figured I'd do a quick post explaining how I did this.

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Protecting your copyright in a digital world

Hi. I'm Haje. I'm a writer and a photographer. I am probably not the best writer in the world, and I'm certainly not the best photographer in the world. And yet, I make my living as a writer, which means that I'm good enough that quite a few editors and publishers out there think that it is worth paying me money to write. A lot of my writing goes into magazines and books, but I also do a lot of writing for free, especially here on Photocritic. Why? Well, I have a lot of words in me which are pining to escape, and I rather like having an outlet where I am my own editor: I decide what gets published, what gets said etc. And I take a perverse pleasure from looking at the statistics. Put together, my top 3 most-read articles (smoke photography, macro photography and top 50 websites) have been read more than a million times. That's a lot of people reading what I have to say about photography. Of course, whilst the content on Photocritic is 'free as in beer' for my end users, I do enjoy some benefits from running a moderately successful blog. My books are selling quite well, which is at least in part because people become aware of me and my blog. I make enough money via Google AdSense to pay for my hosting costs and to buy a bottle of beer every few weeks... And, well, I enjoy the fact that people are reading and commenting on my stuff: Without my blog, I wouldn't have nearly as big an audience, and I enjoy the feeling of being 'on the pulse' of the photography community across the internet. When people steal my content on the internet, I get very angry. At some point, I decided to fight back. This post explains why and how.

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When RAW is not enough

One of the first pieces advice I give to people who wonder where to start getting their photos to become better, is to shoot in RAW. There's many obvious reasons for why this is a good idea. With RAW, the final result can be sharper, you have better control over white balance, you get wider dynamic range, you can do HDR photography, and, well, it's what all the cool kids done. Recently, however, I have moved away from shooting in RAW for several reasons. Or, to be precise, I have started shooting in RAW+JPG. Here are some compelling arguments for why you should do the same...

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365 project

For the longest time, I've thought that I wouldn't have it in me to do a 356 project - i.e. a photo per day for a whole year. If I think about the past five years, for example, there has never been a whole year where I would have been consistently able to post a photo per day. I mean, hell, my whole Flickr stream dates back to August 2006 and only 728 photos in it. That's an average of 0.6 photos per day or so. I'm not even sure if I want to subject the world to a project like that. I don't really like posting photos to Flickr that I'm not reasonably happy with (even though I, too, have a load of junk in my Flickr stream, of course)... Could I really get 365 photos together over the course of a year?

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50 must-read photography books

Cameras are digital. Developing is digital. The internet is digital. Surely, we've moved on beyond a world where we have to look at books for our photographic enjoyment, improvement, and development? Well, you'd be right in one way, of course: You can find nearly everything you might want to look at / learn about on-line. And yet, there's something unique about photography which makes books all that more enjoyable. For one thing, I believe the vastly higher resolution of a well-printed photography book is a more natural way of looking at photography. Best of all? Books don't have to be expensive. You can buy 'em for cheap via the internet (type in the ISBN number into a search engine), you can buy them second-hand via the Internet (Amazon has a huge second-hand market of used books, and eBay ain't bad neither), you can mooch them for free via sites like BookMooch, or you can head to your local library (you do have a library card, don't you?), and check 'em out for free.

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