Photocritic photography blog

Back in April, I did a Top 15 entry-level camera round-up, and it’s one of those posts where the comments stayed relatively calm, but I got tonnes of e-mail afterwards, with suggestions, comments etc. I was surprised at the level of passion people had about that one single article, but it got me thinking: I love trying to come up with interesting ways of doing photography, but what if people really want some buying advice? I discovered long ago that this particular blog isn’t really the place, but still… I figured I could do better than a top 15…

So I decided to launch a new website to help you out.
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“Photography has to be enjoyed by looking at pictures”, my arts teacher used to say, back when I still listened to teachers. I agree with the man, but I’m also a geek, and I love understanding things. I’m the kind of guy who enjoys knowing why the engine makes more noise and the car goes faster when I press the fast pedal on a car. I like to understand how a satellite works, and why it can make movies appear on my TV. And I love to understand how a photograph works.

There’s been a lot of books written about photography throughout the years (I had a stab at it myself…), but to be perfectly honest with you, a lot of them are complete and utter rubbish. Read the rest of the article »

Those of you who know me know that I’m never more than a metre away from my iPhone - it has its flaws (as I’ve written about on my personal home page before), but nonetheless, it’s a class piece of kit - and the iPhone 3G is going to make it better still - for photographers, too. Read the rest of the article »

If you’re reading Photocritic regularly, you could be forgiven for thinking there’s nothing in the world of D-SLR cameras beyond Canon and Nikon.

Of course, nothing could be further from the truth: Competition is stronger than ever, and there’s a lot of other manufacturers bidding for your entry-level-cash…

So we’ve had a look at the top entry-level dSLR cameras, and what professional reviewers think of them - who knows, it might just come in handy when you’re ready to buy your next camera! Read the rest of the article »

It’s that time of year, and all that, so I thought I’d put together something of a christmas list: What can you get your photography-addicted buddy for the holiday season?

But first, let’s help the readers of this post with a poll. Here’s your chance to tell people what you’d really like!

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I just stumbled over a clever tip over at the Consumerist - Basically, there’s a clever way of searching on Amazon.com, where you can find deals on photography gear at massive discounts! Set your credit card to stun… Read the rest of the article »

On Photocritic, I don’t generally bother talking too much about equipment, unless I’m particularly excited about something. My approach towards photography is that a good photographer can take good pictures with bad equipment. A bad photographer can only take mediocre photos with good equipment. In other words: If your technical skills and photographic insight aren’t up to scratch, you’ve already lost the game: No amount of equipment can save you.

Nevertheless, I often get comments and e-mails asking about what type of equipment I use. It’s an interesting question, but asked wrongly. My equipment list is boring. The argumentation for choosing each of these pieces of equipment is what is interesting, because it might help you pick which lens or gadget you buy next! Read the rest of the article »

So, you’ve got a SLR, do you? Smashing. You might have a kit lens, a tele-zoom, and a couple of flashes by now, and you’re feeling pretty hot about yourself and your camera gear, are you?

Well, good on you. But until you’ve got a decent prime lens, you haven’t really lived. And I’m here to tell you why.

Back in the infancy of photography, we never had anything but prime lenses. When you bought a camera body, you first of all buy a camera lens to go with it. A 50mm f/1.8 was pretty much the slowest lens you could buy as a starter kit. Read the rest of the article »

A good while ago (see this post), I discovered the phenomenon of the lensbaby lens. Basically, it’s a bendable lens that you can use for creative effect. It means that you get what essentially is a tilt/shift lens which allows you to work with creative selective focus, extreme macro photography, and lots of creative freedom.

I recently got my grubby paws on a Lensbaby, and ever since, I’ve been a complete convert. I recently spent 4 days exploring Madrid, and despite of having a lot of expensive glass, I ended up only using the Lensbaby lens throughout the whole trip. Read the rest of the article »

From the same people that brought you the Lomo, the Holga is pretty much the same thing, but this time in medium format!

According to the Holga web site the camera is designed and engineered in 1982 in China. The name is derived from Cantonese; Ho Gwong, which supposedly means “Very Bright”.

There are two models of the Holga; The Holga 120 S features an extremely dark lens (f8), fairly wide angle (60mm) and that’s it. The Holga 120 SF is identical, but has a flash. Read the rest of the article »