Archive for January, 2007
Your pet peeves…
I spend a lot of time looking at people's photos, both for work, and for this website. It helps me identify where I go wrong myself. I've grown to realise that my biggest downfall is that I tend to use odd crops on photos, and I'm obsessive about certain aspects about my photography. I'm curious though... Are my hang-ups and failures the same as other photographers'?
Read all of Your pet peeves… (8 comments so far)
Turn your camera upside down
Have you ever thought about why digital compacts with built-in flashes have such an obvious shadow on them? Well, obviously it's because the camera is too damn small to get some distance between the lens and the flash. Quite apart from the problem with red eyes (which, luckily, is easy to avoid), it means that the shadow thrown on your subjects is annoying.
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Time lapse photography
There's a lot to be said for the persistency of time lapse photography - it makes life rather interesting. Reducing a period of a few hours (like a flower opening to the sun), a few months (like a flower growing or a baby growing inside a mother's belly) or a year (seasonal timelapses, construction work) is amazing stuff.
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Who uses macro photography?
As some of you know, I'm currently writing a book about macro photography. As part of this, I'm writing an appendix on the commercial uses of macro, only to realise that I don't know that many professions that use macro- and micro photography as part of their everyday life. So... I'm turning to you, my faithful and lovely readers, to appeal to your wisdom. Can you think of any fields where macro photography is used regularly? I've come up with the following: Forensics Research science Food photography Jewelry catalogues ... What else can you think of? Pretty please leave a comment -- you can be anonymous if you want to!
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Portraiture: Loosen up!
I've spent a lot of time looking at portraits over the last couple of days for various reasons I shan't get into in details, but there's one pet peeve I'm afraid I'm going to have to share with you... Why are people always so damn serious when they are being taken photos of? Does nobody understand the art of portraiture anymore?
Read all of Portraiture: Loosen up! (7 comments so far)
Quick Poll: Your favourite subject?
Sweet and simple: What's your favourite thing to take photos of? (If you want to add something that isn't on the list, just click 'add', and you can type in your own {democracy:23} (also remember that you can look at -- and vote on -- our past polls!
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Wanna write for us?
If you've been following Photocritic for a while, you can't have missed the fact that we've had some world-class Guest writers involved recently. RJ Davis' article on paper negatives was very well read indeed, Anna's introduction to portraiture went down a storm, and Alecu's rally racing photography article was rather well received, too.
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Cross polarization
Geekery and science meets photography: Cross-polarization is a fantastic little technique that exploits a quirk in the way polarizers work. Think of light as wooden ice-cream sticks that are flying towards a set of bars. The bars will only let the sticks that happen to be aligned with the bars through, and absorbs all the other sticks. Before the filter, the light is moving in lots of different polarizations. After it has passed through the filter, all the light is moving in the same linear polarization.
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Dammit, you blinked!
If you've ever taken a photo of a group of people, you're probably used to the chant of 'oh no, I blinked', usually from that obnoxious little blonde that you can't stand the sight of. But did you know that there is actually some science behind taking photos of people, and whether they blink or not? Behold - the guide to avoiding people's half-closed, semi-drugged looks!
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Photograph of the Year competition
Sweet baby jesus, I'm actually rather hyped about the PhotographyCorner's 2006 Photograph of the Year contest. They've got a massive $14K worth of prizes, too.
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My day job, if it can be called that, is being a writer. I've got one book out there so far and it's awesome, so go ahead and buy a copy! It's available from
In front of you, five hyperactive men with guitars, drums, and microphones. Behind you, five thousand fans. In your hands, a camera... You're going to need more than just a little bit of good luck to pull this one off. That's where this book comes in.
Take a Canon EOS 450D. Attach a Canon 50mm f/1.4 lens. Hit the streets of London. See what happens.



